Matthew Barney

Barbara Gladstone Gallery, New York

Private Collection, San Francisco (acquired from the above in 1996)

Sotheby's New York, 9 November 2005, lot 39

Private Collection (acquired from the above)

Acquired from the above by the present owner

Rotterdam, Museum Boymans-van Beuningen; Musée d'art contemporain, Bordeaux; Kunsthalle Bern, Matthew Barney: Pace Cars for the Hubris Pill, 1995, no. 14, n.p., illustrated in color (another example exhibited)

Munich, Sammlung Goetz, Matthew Barney-Tony Oursler-Jeff Wall, 1996, p. 44, illustrated (another example exhibited)

New York, Guggenheim Museum SoHo, The Hugo Boss Prize, 1996, p. 93, illustrated (another example exhibited)

Vienna, Kunsthalle; Basel, Museum für Gegenwartskunst, Matthew Barney: Cremaster 1, 1997, n.p., illustrated in color (another example exhibited)

Paris, Galerie Thaddeus Ropac, Sous le Manteau, 1997, p. 4, illustrated (another example exhibited)

Prague, Galerie Rudolfinum, American Art from the Goetz Collection, 2001, p. 23, illustrated in color (another example exhibited)

Cologne, Museum Ludwig; Musée d'Art Moderne de la Ville de Paris; New York, The Solomon R. Guggenheim Museum, Matthew Barney: The Cremaster Cycle, 2002-2003, pp. 153 and 462, illustrated in color (another example exhibited)

Oslo, Astrup Fearnley Museet fur Moderne Kunst, The Cremaster Cycle, 2003, p. 21, illustrated in color (another example exhibited)

Peter Schjeldahl, "Who's the Boss," The Village Voice, 24 December 1996, p. 93, illustrated

Elizabeth Janus, ed., Veronica’s Revenge: Contemporary Perspectives on Photography, 1998, p. 181, illustrated in color

Daniel Aaronson, ed., Photography Transformed: The Metropolitan Bank & Trust Collection, New York, 2002, p. 45, illustrated in color