Mary Heilmann

The Artist

Pat Hearn, New York

Private Collection, United States (acquired from the above)

Hauser & Wirth 

Acquired from the above in 2018 by the present owner

New York, Pat Hearn Gallery, Mary Heilmann, October - November 1986, no. 10, illustrated in color 

Boston, The Institute of Contemporary Art, Mary Heilmann: A Survey, March - May 1990, n.p., illustrated in color

New York, Pat Hearn Gallery, Mary Heilmann: Greatest Hits, April - May 1994

Glenside, Beaver College Art Gallery, Mary Heilmann, September - October 1994

Vienna, Wiener Secession, Mary Heilmann, All Tomorrow's Parties, July - September 2003, p. 27, illustrated 

Newport Beach, Orange County Museum of Art, Mary Heilmann: To Be Someone, May - August 2007, no. 26, p. 29, illustrated in color

Bonnefantenmuseum Maastricht; Nuremberg, Neues Museum, Staatliches Museum für Kunst und Design, Mary Heilmann Good Vibrations, September 2012 - June 2013, p. 55, illustrated in color 

Annandale-on-Hudson, CSS Bard Hessel Museum, The Conditions of Being Art: Pat Hearn Gallery &  American Fine Arts Co. (1983 - 2004), June - December 2018

Anon., "Two Paintings by Mary Heilmann," Bomb Magazine, no. 17, 1 October 1986, pp. 56-57, illustrated

William Zimmer, "A Rarified Atmosphere in the Feisty East Village," The New York Times, 7 November 1986, p. 27 (text)

Pat McCoy, "A Modern Lexicon: The Work of Mary Heilmann," ARTS Magazine, November 1989, vol. 64, no. 3, p. 49, illustrated in color and p. 50 (text) 

Christine Terrain, "Abstraction that Screams," The Boston Globe, 3 April 1990, p. 59, illustrated and p. 62 (text)

Christa Häusler, ed., Mary Heilmann: Color and Passion, Ostfildern-Ruit 1997, p. 18 (text) and p. 19, illustrated in color

Mark Magill and Mary Heilmann, The All Night Move by Mary Heilmann, Zürich 1999, p. 86 (text) and p. 87, illustrated in color 

Dorothy Spears, "Geometric Abstracts by Mary Heilmann," The New York Times, 8 October 2005, illustrated in color (online)

Anne M. Wagner, "Field Trips: The Art of Mary Heilmann," Artforum, November 2007, pp. 310, 312 (text) and p. 311, illustrated in color 

Jori Finkel, "Mary Heilmann packs abstract painting with as much personal history and emotional content as it can hold," ARTnews, vol. 106, no. 11, December 2007, p. 133, illustrated in color and pp. 133-134 (text)

Tony Godfrey, Painting Today, London 2009, no. 319, p. 282 (text) and p. 287, illustrated in color

Marybeth Sollins, ed., Art 21: Art in the Twenty-First Century, New York 2009 p. 82 (text) and p. 83, illustrated in color 

Ex. Cat., Kunst Museum Bonn, Mary Heilmann und Blinky Palermo im Dialog, July - September 2013, p. 79, illustrated in color

Linda Yablonsky, "The Composer," ARTNews, Spring 2016, vol. 115, no. 1, p. 74 (text) and p. 75, illustrated in color 

Monika Littau, Über malungen: Gedichte, Düsseldorf 2016, p. 56 (text) and p. 57, illustrated in color

Venka Purushothaman, ed., ISSUE, Singapore 2020, p. 9, illustrated in color and p. 10 (text)

Rosemary Cohane Erpf, Painting in the 1980s: Reimagining the Medium, Chicago 2022, pp. 90-91 (text), p. 92, illustrated in color