A Life in Art: The Mallin Collection
Mona Hatoum
Over My Dead Body
This lot has been withdrawn
Lot Details
Description
A Life in Art: The Mallin Collection
Mona Hatoum
b. 1952
Over My Dead Body
inkjet print on PVC with grommets
80 ½ by 120 in.
204.5 by 304.8 cm.
Executed in 1988-2002, this work is number 2 from an edition of 6 plus 2 artist’s proofs.
This work is being offered for sale from an offsite location and is not at Sotheby’s York Avenue location. Prospective buyers may contact Sotheby’s Contemporary Art Department at Jacqueline.Dishner@sothebys.com with inquiries. Please note that the successful purchaser must use Sotheby’s shipping services for collection and delivery after the auction at the buyer’s expense.
Alexander & Bonin, New York
Acquired from the above in September 2004 by the present owner
New York, Alexander and Bonin Gallery, Exposures, March-April 1999 (another example from the edition)
Champaign, Krannert Art Museum; Baton Rouge, Louisiana State University Museum of Art; Hanover, Hood Museum of Art; Williamstown, Williams College Museum of Art, Beyond East and West: Seven Transnational Artists, January 2004-May 2005, no. 11, p. 49, illustrated in color (the present work)
Hamburger Kunsthalle; Kunstmuseum Bonn; Magasin 3 Stockholm Konsthall, Mona Hatoum, March-December 2004, p. 8, illustrated (another example from the edition)
Sydney, Museum of Contemporary Art Australia, Mona Hatoum: Over My Dead Body, March-May 2005 (another example from the edition)
Berlin, Galerie Max Hetzler, Mona Hatoum: Shift, September-October 2012, pp. 8, 32, illustrated in color (in installation), pp. 12-13, illustrated in color (another example from the edition)
Pinacoteca de Estado de São Paulo; Buenos Aires, Fundación Proa, Mona Hatoum, December 2014-May 2015, p. 37, illustrated (another example from the edition)
Paris, Centre Pompidou; London, Tate Modern; Helsinki, Museum of Contemporary Art Kiasma/Finnish National Gallery, Mona Hatoum, May 2016-February 2017, pp. 148-149, 174 (illustrated in color) (another example from the edition)
Dalya Alberge, “When White is the Acceptable Colour of Art,” The Independent, 27 November 1989, illustrated, p. 17 (another example from the edition)
Najat Rahman, In the Wake of the Poetic: Palestinian Artists after Darwish, Syracuse 2015, pp. 95-97, illustrated, (another example from the edition)
Judith Benhamou-Huet, “Les objets qui parlent de Mona Hatoum,” Les Echos, 26 June 2015, illustrated in color (online) (another example from the edition)
Myrna Ayad, "Fearless Artist Mona Hatoum Conquers the Pompidou with Four Decades of Work," Artsy, 19 August 2015, illustrated in color (online) (another example from the edition)
Ivo Bonacorsi, “Resistance,” domus, 17 September 2015, illustrated in color (online) (another example from the edition)
Ali Smith, “'Never take anything for what it appears to be': Ali Smith on Mona Hatoum,” Tate Etc., issue 37, 10 June 2016 (illustrated in color) (online) (another example from the edition)
You May Also Like
