The Sex Pistols: The Stolper-Wilson Collection

The Sex Pistols: The Stolper-Wilson Collection

View full screen - View 1 of Lot 43. Jamie Reid | Never Mind the Bollocks, promotional poster, owned by Sid Vicious.

Jamie Reid | Never Mind the Bollocks, promotional poster, owned by Sid Vicious

Lot Closed

October 21, 01:43 PM GMT

Estimate

5,000 - 7,000 GBP

Lot Details

Description

Jamie Reid

Never Mind the Bollocks, here's the Sex Pistols, promotional poster for their first album, released on 28 October 1977


(1525 x 925mm.), framed, red liquid stains to lower end of poster, some tears, markings from see through adhesive tape, creasing


This poster was owned by Sid Vicious, and has been identified as one of a group of posters pinned to his wall at the Chelsea Hotel in New York. Vicious and his girlfriend Nancy Spungen moved into the hotel on 24 August 1978, after the collapse of the Sex Pistols and filming for The Great Rock 'n' Roll Swindle. They lived there together until 11 October, when Nancy Spungen was found dead from a stab wound. Sid Vicious was charged with her murder, but did not go to trial as he was found dead from a heroin overdose in February 1979. The identity of the murderer has never been confirmed.


Alan Parker, biographer of Sid Vicious, has identified this poster as being one from a group of around 12 posters “carried round by Sid and Nancy between various […] London addresses and then on with them to New York and The Chelsea Hotel. [They] had been used at various times to empty the couples ‘works’ and these posters all contained blood and water marks on the front and/or back of the image[.]” (private communication, 7 September 2000)

Anne Beverley, mother of Sid Vicious; purchased from Phillips W2 1992

Exhibited: Eagle, London 1996; Hospital, London 2004; Urbis, Manchester 2005; Kunsthalle Vienna 2008; DA2 Center of Contemporary Art, Salamanca 2008; French Academy in Rome, Villa Medici 2011; MAMCO, Geneva 2011; B.P.S.22, Espace de Création Contemporain, Charleroi 2011; Musée de la Musique, Paris 2013

No Future p. 118