Modern & Contemporary African Auction

Modern & Contemporary African Auction

View full screen - View 1 of Lot 9. Mother and Child.

Yusuf Grillo

Mother and Child

Lot Closed

October 20, 02:09 PM GMT

Estimate

100,000 - 150,000 GBP

Lot Details

Description

Yusuf Grillo

Nigerian

1934-2021

Mother and Child


signed (lower left); signed (on the reverse)

oil on board

81.5 by 61.7cm., 31⅛ by 24¼in.

framed: 93 by 73 cm., 36⅝ by 28¾in.

Collection of Uche Okeke (1933–2016), acquired directly from the artist

Thence by direct descent

Acquired from the above by the current owner

“The master has in his own way distilled the essence of his African experience” (Uche Okeke on Yusuf Grillo, 2006)


Grillo first studied art in Lagos under Aina Onabolu, the first Nigerian artist trained overseas, from the age of 12 and then at Yaba College of Technology (YCT). In 1956 he secured a Federal Government scholarship to the Nigeria College of Arts, Science and Technology in Zaria, the first tertiary level art school in Nigeria, where his classmates included Uche Okeke, Demas Nwoko, Simon Okeke, Okechukwu Emmanuel Odita, and Bruce Onobrakpeya. Together, as a direct response to the conventional Western academic training they were subjected to in draughtsmanship and observational realism, on 9 October 1958, they founded the Zaria Art Society. Later referred to as the Zaria Rebels, their aim was to decolonize the visual arts as taught by the expatriate Europeans at the institution.


The formation of the group coincided with a period dominated by nationalistic fervour and with the impending attainment of independence in 1960. The Rebels believed in the celebration of indigenous cultures as a central part of the movement, and the use of unique subject matter in their work. Grillo and his counterparts would have discussions outside of class, sharing ideas and impressing upon each other the importance of documenting the traditions and folklore of the varied cultures of Nigeria people.


Grillo graduated in 1960 and Uche Okeke the following year, marking the end of the Zaria Art Society. Grillo returned to Lagos with a teaching post at King's College, before returning to YCT to teach from late 1961 until his retirement in 1987. Uche Okoke ran his Cultural Centre at Kafanchan, later renamed the Asele Institute, 1961–62, and in 1963 co-founded the Mbari Cultural Center Enugu, which he ran until 1967, when he relocated the Asele Institute to Nimo. After the war in 1970, he joined the University of Nigeria in Nsukka, later becoming head of department.


Throughout this busy decade the two friends crossed paths several times, despite mostly living in different parts of the country and periods of overseas travel, not least through the work of the Society of Nigerian Artists, founded in January 1964 with Yusuf Grillo as founding president.