Old Master Paintings

6 April 202214:00 BST

London

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Old Master Paintings

Old Master Paintings

Old Master Paintings

Overview
176 results sorted by Lot number (low to high)

176 results sorted by

Lot number (low to high)

Saint James the Greater

1. After Albrecht Dürer

Saint James the Greater

Virgin and Child in Glory

2. German School, 16th Century

Virgin and Child in Glory

Portrait of a lady, possibly Margaretha Mertha, wife of Hendrik Pilgram, three-quarter length, wearing black with gold chains

3. Nicolas Neufchatel

Portrait of a lady, possibly Margaretha Mertha, wife of Hendrik Pilgram, three-quarter length, wearing black with gold chains

The Annunciation

4. Joseph van der Veken

The Annunciation

The Virgin and Child: 'The Madonna of the Cherries'

5. Workshop of Joos van Cleve

The Virgin and Child: 'The Madonna of the Cherries'

The Moneylenders

6. Follower of Marinus van Reymerswaele

The Moneylenders

Christ the Redeemer

7. Master of the Prodigal Son

Christ the Redeemer

Saint Paul preaching to the Ephesians

8. Follower of Pieter Claeissens the Younger

Saint Paul preaching to the Ephesians

The Holy Kinship

9. Flemish School, 16th Century

The Holy Kinship

The Vision of Ezekiel

10. After Raffaello Sanzio, called Raphael

The Vision of Ezekiel

The Virgin and Child with the Infant Saint John the Baptist

11. Florentine School, mid-16th century

The Virgin and Child with the Infant Saint John the Baptist

The Virgin and Child

12. Follower of Fernando Yañez de la Almedina

The Virgin and Child

The Nativity

13. Castilian School, 16th Century

The Nativity

Saint Louis of Toulouse and another male saint

14. Castilian School, 16th Century

Saint Louis of Toulouse and another male saint

The Crucifixion

15. Valencian School, 16th Century

The Crucifixion

A kitchen interior

16. Pauwels Franck, called Paolo Fiammingo

A kitchen interior

Portrait of a lady, traditionally identified as Rita Bellesi, three-quarter length, wearing elaborate Venetian dress, standing beside a table, a villa beyond

17. Francesco Montemezzano

Portrait of a lady, traditionally identified as Rita Bellesi, three-quarter length, wearing elaborate Venetian dress, standing beside a table, a villa beyond

Salvator Mundi

18. Follower of Tiziano Vecellio, called Titian

Salvator Mundi

Dives and Lazarus

19. Flemish Follower of Jacopo Bassano, 17th Century

Dives and Lazarus

Figures shearing sheep and milking goats in a landscape

20. 18th-century Follower of the Bassano Family

Figures shearing sheep and milking goats in a landscape

Saint Matthew

21. Genoese School, 17th Century

Saint Matthew

Saint Peter

22. Genoese School, 17th Century

Saint Peter

An Apostle

23. Genoese School, 17th Century

An Apostle

Saint John the Evangelist

24. Genoese School, 17th Century

Saint John the Evangelist

Saint Paul

25. Genoese School, 17th Century

Saint Paul

Saint Andrew

26. Genoese School, 17th Century

Saint Andrew

Saint John the Baptist

27. French School, 17th Century

Saint John the Baptist

A garland of flowers surrounding the Virgin

28. Roman School, 17th Century

A garland of flowers surrounding the Virgin

A peasant woman holding a cockerel

29. North Italian School, late 17th Century

A peasant woman holding a cockerel

A still life of summer flowers including pink roses, in a gilt vase; and A still life of flowers, including narcissi and a lily in a gilt vase with a handle

30. Francesco Lavagna

A still life of summer flowers including pink roses, in a gilt vase; and A still life of flowers, including narcissi and a lily in a gilt vase with a handle

Three women singing

31. Neapolitan School, 17th Century

Three women singing

Narcissus seated in a wooded landscape with dogs and Cupid flying above

32. Filippo Lauri

Narcissus seated in a wooded landscape with dogs and Cupid flying above

The Martyrdom of Saint Sebastian

33. Prague School, circa 1600

The Martyrdom of Saint Sebastian

Portrait of a lady, half-length, wearing an embroidered lace chemise with a dark overdress, a jewelled cap and fine golden pearl chain and pendant containing a cameo

34. Circle of George Gower

Portrait of a lady, half-length, wearing an embroidered lace chemise with a dark overdress, a jewelled cap and fine golden pearl chain and pendant containing a cameo

Portrait of a bearded gentleman, half-length, wearing a black coat, a white ruff and gold belt

35. Circle of Jan Anthonisz. Van Ravesteyn

Portrait of a bearded gentleman, half-length, wearing a black coat, a white ruff and gold belt

Portrait of a lady, half-length, wearing a pink dress with green bows and a lace collar

36. Cornelius Johnson

Portrait of a lady, half-length, wearing a pink dress with green bows and a lace collar

Portrait of Letitia, later Lady Russell (c. 1645–1721), three-quarter-length, seated in a landscape, wearing a brown dress and a blue cloak, holding a garland of leaves

37. Sir Peter Lely

Portrait of Letitia, later Lady Russell (c. 1645–1721), three-quarter-length, seated in a landscape, wearing a brown dress and a blue cloak, holding a garland of leaves

Portrait of Anne Popham (née Carr), half-length, wearing a red satin dress

38. After Sir Peter Lely

Portrait of Anne Popham (née Carr), half-length, wearing a red satin dress

Portrait of James Fitzjames, 1st Duke of Berwick (1670–1734), three-quarter-length, wearing a suit of armour, a white jabot and holding a baton

39. Circle of Sir Godfrey Kneller

Portrait of James Fitzjames, 1st Duke of Berwick (1670–1734), three-quarter-length, wearing a suit of armour, a white jabot and holding a baton

Portrait of a gentleman, probably Anthony Ashley Cooper, 1st Earl of Shaftesbury (1621–1683), half-length, wearing a loose brown coat and lace jabot, in a painted stone cartouche

40. Attributed to John Greenhill

Portrait of a gentleman, probably Anthony Ashley Cooper, 1st Earl of Shaftesbury (1621–1683), half-length, wearing a loose brown coat and lace jabot, in a painted stone cartouche

Portrait of a lady, half-length, wearing a light brown dress and pinned grey mantle, in a painted stone cartouche

41. Studio of Mary Beale

Portrait of a lady, half-length, wearing a light brown dress and pinned grey mantle, in a painted stone cartouche

Portrait of Colonel John Penruddock (1619–1655), half-length, wearing armour and a white lace jabot, in a painted stone cartouche

42. Circle of Sir Peter Lely

Portrait of Colonel John Penruddock (1619–1655), half-length, wearing armour and a white lace jabot, in a painted stone cartouche

The Feast of Saint Nicholas

43. After Richard Brakenburgh

The Feast of Saint Nicholas

A double portrait of George, Lord Digby, later 2nd Earl of Bristol (1612–1677) and William, Lord Russell, later 1st Duke of Bedford (1616–1700)

44. After Sir Anthony van Dyck

A double portrait of George, Lord Digby, later 2nd Earl of Bristol (1612–1677) and William, Lord Russell, later 1st Duke of Bedford (1616–1700)

Portrait of a gentleman, half-length, wearing a black coat with a white ruff and black hat

45. Flemish School, circa 1700

Portrait of a gentleman, half-length, wearing a black coat with a white ruff and black hat

Portrait of the Hon. Catherine Windsor (née Archer), Countess of Plymouth (1727–1790), half-length, wearing a white dress, a blue shawl worked with silver threads and a matching cap

46. Allan Ramsay and Studio

Portrait of the Hon. Catherine Windsor (née Archer), Countess of Plymouth (1727–1790), half-length, wearing a white dress, a blue shawl worked with silver threads and a matching cap

Portrait of Mary Sandys (née Trumbull, d. 1769), half-length, wearing a grey dress with blue bows, lace collar and a pearl necklace

47. Thomas Bardwell

Portrait of Mary Sandys (née Trumbull, d. 1769), half-length, wearing a grey dress with blue bows, lace collar and a pearl necklace

Portrait of a gentleman, half-length, wearing a red coat and white neck cloth, his arms folded

48. Follower of Nathaniel Dance, R.A.

Portrait of a gentleman, half-length, wearing a red coat and white neck cloth, his arms folded