1. After Albrecht Dürer

Saint James the Greater

2. German School, 16th Century

Virgin and Child in Glory

3. Nicolas Neufchatel

Portrait of a lady, possibly Margaretha Mertha, wife of Hendrik Pilgram, three-quarter length, wearing black with gold chains

4. Joseph van der Veken

The Annunciation

5. Workshop of Joos van Cleve

The Virgin and Child: 'The Madonna of the Cherries'

6. Follower of Marinus van Reymerswaele

The Moneylenders

7. Master of the Prodigal Son

Christ the Redeemer

8. Follower of Pieter Claeissens the Younger

Saint Paul preaching to the Ephesians

9. Flemish School, 16th Century

The Holy Kinship

10. After Raffaello Sanzio, called Raphael

The Vision of Ezekiel

11. Florentine School, mid-16th century

The Virgin and Child with the Infant Saint John the Baptist

12. Follower of Fernando Yañez de la Almedina

The Virgin and Child

13. Castilian School, 16th Century

The Nativity

14. Castilian School, 16th Century

Saint Louis of Toulouse and another male saint

15. Valencian School, 16th Century

The Crucifixion

16. Pauwels Franck, called Paolo Fiammingo

A kitchen interior

17. Francesco Montemezzano

Portrait of a lady, traditionally identified as Rita Bellesi, three-quarter length, wearing elaborate Venetian dress, standing beside a table, a villa beyond

18. Follower of Tiziano Vecellio, called Titian

Salvator Mundi

19. Flemish Follower of Jacopo Bassano, 17th Century

Dives and Lazarus

20. 18th-century Follower of the Bassano Family

Figures shearing sheep and milking goats in a landscape

21. Genoese School, 17th Century

Saint Matthew

22. Genoese School, 17th Century

Saint Peter

23. Genoese School, 17th Century

An Apostle

24. Genoese School, 17th Century

Saint John the Evangelist

25. Genoese School, 17th Century

Saint Paul

26. Genoese School, 17th Century

Saint Andrew

27. French School, 17th Century

Saint John the Baptist

28. Roman School, 17th Century

A garland of flowers surrounding the Virgin

29. North Italian School, late 17th Century

A peasant woman holding a cockerel

30. Francesco Lavagna

A still life of summer flowers including pink roses, in a gilt vase; and A still life of flowers, including narcissi and a lily in a gilt vase with a handle

31. Neapolitan School, 17th Century

Three women singing

32. Filippo Lauri

Narcissus seated in a wooded landscape with dogs and Cupid flying above

33. Prague School, circa 1600

The Martyrdom of Saint Sebastian

34. Circle of George Gower

Portrait of a lady, half-length, wearing an embroidered lace chemise with a dark overdress, a jewelled cap and fine golden pearl chain and pendant containing a cameo

35. Circle of Jan Anthonisz. Van Ravesteyn

Portrait of a bearded gentleman, half-length, wearing a black coat, a white ruff and gold belt

36. Cornelius Johnson

Portrait of a lady, half-length, wearing a pink dress with green bows and a lace collar

37. Sir Peter Lely

Portrait of Letitia, later Lady Russell (c. 1645–1721), three-quarter-length, seated in a landscape, wearing a brown dress and a blue cloak, holding a garland of leaves

38. After Sir Peter Lely

Portrait of Anne Popham (née Carr), half-length, wearing a red satin dress

39. Circle of Sir Godfrey Kneller

Portrait of James Fitzjames, 1st Duke of Berwick (1670–1734), three-quarter-length, wearing a suit of armour, a white jabot and holding a baton

40. Attributed to John Greenhill

Portrait of a gentleman, probably Anthony Ashley Cooper, 1st Earl of Shaftesbury (1621–1683), half-length, wearing a loose brown coat and lace jabot, in a painted stone cartouche

41. Studio of Mary Beale

Portrait of a lady, half-length, wearing a light brown dress and pinned grey mantle, in a painted stone cartouche

42. Circle of Sir Peter Lely

Portrait of Colonel John Penruddock (1619–1655), half-length, wearing armour and a white lace jabot, in a painted stone cartouche

43. After Richard Brakenburgh

The Feast of Saint Nicholas

44. After Sir Anthony van Dyck

A double portrait of George, Lord Digby, later 2nd Earl of Bristol (1612–1677) and William, Lord Russell, later 1st Duke of Bedford (1616–1700)

45. Flemish School, circa 1700

Portrait of a gentleman, half-length, wearing a black coat with a white ruff and black hat

46. Allan Ramsay and Studio

Portrait of the Hon. Catherine Windsor (née Archer), Countess of Plymouth (1727–1790), half-length, wearing a white dress, a blue shawl worked with silver threads and a matching cap

47. Thomas Bardwell

Portrait of Mary Sandys (née Trumbull, d. 1769), half-length, wearing a grey dress with blue bows, lace collar and a pearl necklace

48. Follower of Nathaniel Dance, R.A.

Portrait of a gentleman, half-length, wearing a red coat and white neck cloth, his arms folded