These charming portrait studies, each depicting a young boy, drawn in profile and dressed in a blue jacket with a white collar, are two splendid examples of Carmontelle’s genius in the genre of portraiture and demonstrate a more miniaturist approach in comparison to his full length portraits.
Carmontelle entered the service of Louis Philippe, Duc d'Orléans, in 1759 and enjoyed a buoyant career there, organising official entertainments and later also becoming a garden designer, creating what is now the Parc Monceau. Over the course of some 34 years, Carmontelle made more than 750 portraits of the Orléans family, their court, and other friends and acquaintances, which were bound in eleven albums. The majority of the sitters were drawn full length and in profile and he executed the portraits mostly for himself and would only produce replicas on request.
At the end of his life, Carmontelle gave the names of all the sitters in his portraits to his great friend Richard de Lédans who compiled a manuscript list, now in the museum at Chantilly, where there are 570 portraits from the original group. The albums remained intact until in the possession of Pierre de La Mésangère, who dismantled them and mounted each drawing on a distinctive green mount.
A similarly executed oval portrait of a man in profile, from the Georges Dormeuil Collection, was sold in these Rooms in 2014.1
1. Sale, London, Sotheby's, 9 July 2014, lot 68