View full screen - View 1 of Lot 2017. Nguyen Khang 阮康 | Fish 魚.
2017

Nguyen Khang

Nguyen Khang 阮康 | Fish 魚

Nguyen Khang

Nguyen Khang

Nguyen Khang 阮康 | Fish 魚

Nguyen Khang 阮康 | Fish 魚

Nguyen Khang

1911 - 1989

Fish


lacquer on board

signed NG.KHANG, and marked with the artist's mark (lower right corner)

unframed: 60.5 by 92 cm; 23 ⅞ by 36 ¼ in.

framed: 81.5 by 113 cm; 32 by 44 ½ in. 


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阮康

1911 - 1989年


漆畫木板

款識

NG.KHANG 藝術家標識 (右下)

作品:60.5 x 92 cm; 23 ⅞ x 36 ¼ in.

畫框:81.5 x 113 cm; 32 x 44 ½ in.

This work is in good overall condition as viewed. There is a media accretion on top left corner. All inconsistencies, such as the dotted marks towards the center left of the composition, are inherent to the nature of the medium. Examination under ultraviolet light reveals no signs of restoration as viewed. Framed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Private Collection, Emile Fillioux (acquired in Hanoi between 1920 and 1947)

Private Collection, London (thence by descent from the above)


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Emile Fillioux 私人收藏(1920年至1947年收藏於河內)

倫敦私人收藏(繼承自上述來源)

The current owners of lots 2016, 2017, 2018, 2019, 2021 and 2023 inherited the paintings from their mother, Claude Madoc-Jones (ne Fillioux), who was born in Hanoi in 1930. The pieces were collected by her father Emile Fillioux, who left France for Indo-China in the early 1920s to work as an engineer on the Haiphong to Kunming railway. In this capacity he often travelled between Hanoi, where the family was based, and Kunming. Emile Fillioux remained in Vietnam until 1947.


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拍品2016、2017、2018、2019、2021 及2023 由現藏家直接繼承自其母親(1930年生於河內)。1920年代初,現藏家的父親離開法國前往中南半島擔任海防至昆明的鐵路工程師,並在此期間購藏此六件漆畫。由於工作關係,他經常往返昆明及家人長居之河內,並逗留越南至1947年。