Charles Ephraim Burchfield
Sunday Morning at Eleven O’Clock
Authenticity guarantee
What is guaranteed?
Charles Ephraim Burchfield
1893 - 1967
Sunday Morning at Eleven O’Clock
signed C Burchfield and dated 1917 (lower right); titled and dated June 23, 1917 (on the reverse)
watercolor on paper
21 ¾ by 17 ¾ in.
55.2 by 45.1 cm.
Executed on 23 June 1917.
To request a copy of this condition report, please contact Katie.Maher@sothebys.com.
Framed dimensions: 31 1/4 by 27 1/4 in. (79.4 by 69.2 cm.)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Joseph S. Trovato, Charles Burchfield: Catalogue of Paintings in Public and Private Collections, Utica, 1970, no. 312, p. 61
Charles E. Burchfield, Painting Index, vol. II, Burchfield Penney Art Center, Buffalo, 1970, no. 32
Nancy Weekly, Charles E. Burchfield: The Sacred Woods, Albany, 1993, p. 42
Robert Gober, Heat Waves in a Swamp: The Paintings of Charles Burchfield, New York, 2009, p. 56
Colleen Lahan Makowski, Charles Burchfield: An Annotated Bibliography, Lanham, 1996, index p. 204
New York, The Museum of Modern Art, Charles Burchfield Early Watercolors 1916-1918, 1930, no. 12
Washington, D.C., Phillips Memorial Gallery, Early Water Colors of Charles Burchfield, 1933-34
Pittsburgh, Carnegie Institute, Department of Fine Arts, An Exhibition of Water Colors and Oils by Charles Burchfield, 1938, no. 38