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64

Edward Lear

Fort of Ile Sainte Marguerite, Cannes

Edward Lear

Edward Lear

Fort of Ile Sainte Marguerite, Cannes

Fort of Ile Sainte Marguerite, Cannes

Authenticity guarantee

What is guaranteed?

Edward Lear

London 1812 - 1888 San Remo

Fort of Ile Sainte Marguerite, Cannes


Pen and brown ink and watercolor, heightened with white;

inscribed and dated lower right: Fort of Isle Sante Marguerite / Cannes. 1.30 P.M. 10 april. 1865 / (131), and elsewhere with extensive color notes 

315 by 505 mm; 12½ by 12⅜ in.

The work is in good condition, with strong color. The paper has lightened a little but this has not unbalanced the composition. Around the extreme edges (covered by the current mount) the paper tone is a little darker. The sheet is laid down to good quality board.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

With Agnew's, London;
with Chris Beetles Gallery, London
London, Chris Beetles Gallery, Summer Show, 2018, no. 21

Between November 1864 and April 1865, Edward Lear stayed on the French Riviera, in order to produce work for an exhibition that he planned to hold later in the year. Basing himself in Nice, he visited towns along the coast, including Antibes and Cannes. At the end of his sojourn, he spent a week in Cannes and, on his return to London, wrote to his friend Chichester Fortescue, Lord Carlingford, that he was ‘absolutely delighted’ with the town, finding it ‘different’ and preferable to Nice. In a postscript to the letter, he added, that he had produced 125 sketches ‘at Nice, Antibes and Cannes’.1


Thanks to Lear’s habit of dating and numbering his drawings, the pattern and prolificacy of his work can be charted in some detail. On 10 April 1865, he spent the day on the Lérin Islands, just off the coast of Cannes, first visiting Saint-Honorat, where he made at least nine drawings, and then Sainte-Marguerite, where he made the present one, and probably others.


Ile Sainte-Marguerite is the largest of the Lérin Islands, and is home to the Fort Royal, which was built in the early seventeenth century, and became a barracks and state prison a few decades later. The fort is most famous for holding the unidentified prisoner known as ‘Man in the Iron Mask’, who died there in 1703.


1. Ed. Lady Strachey, Later Letters of Edward Lear, (21 April 1865), London 1911, p. 61