View full screen - View 1 of Lot 263. A fine Ming-style blue and white 'fruits' vase (Meiping), Seal mark and period of Qianlong | 清乾隆 青花折技花果紋梅瓶 《大清乾隆年製》款.
263

A fine Ming-style blue and white 'fruits' vase (Meiping), Seal mark and period of Qianlong | 清乾隆 青花折技花果紋梅瓶 《大清乾隆年製》款

Property from a California Private Collection

A fine Ming-style blue and white 'fruits' vase (Meiping), Seal mark and period of Qianlong | 清乾隆 青花折技花果紋梅瓶 《大清乾隆年製》款

A fine Ming-style blue and white 'fruits' vase (Meiping), Seal mark and period of Qianlong | 清乾隆 青花折技花果紋梅瓶 《大清乾隆年製》款

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What is guaranteed?

A fine Ming-style blue and white 'fruits' vase (Meiping)

Seal mark and period of Qianlong

清乾隆 青花折技花果紋梅瓶 《大清乾隆年製》款


the base with a six-character seal mark in underglaze blue


Height 12¾ in., 32.4 cm

In overall good condition. Some very minor firing imperfections. The footring is very slightly uneven.


整體品相良好,非常輕微窰燒瑕疵,足輕微不平。


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In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您徵詢其他專業修復人員,以獲得更詳盡、專業之報告。


準買家應該檢查每件拍品以確認其狀況,蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Acquired in Los Angeles in the 1960s, and thence by descent. 


1960年代得於洛杉磯,此後家族傳承

A closely related vase, from the E.T. Chow Collection and sold in our Hong Kong rooms, 19th May 1981, lot 546, is illustrated in Michel Beurdeley and Guy Raindre, Qing Porcelain, London, 1987, pl. 153; and another is published in Chinese Porcelain. The S.C. Ko Tianminlou Collection, Hong Kong, 1987, pl. 63, where Julian Thompson discusses this group of Qing blue and white wares as painted with 're-designs' of Yongle patterns with changes of detail, particularly in the borders and with simulated 'heaping and piling' of cobalt blue (see p. 28). For the 15th century prototype of this design compare a meiping in the National Palace Museum, Taipei, illustrated in Minji meijin zuroku, vol. 1, Tokyo, 1977, pl. 12. Two other vases are illustrated in The Ardebil Shrine Collection, Hong Kong, 1981, cat. nos A69 and A70.


For further examples of vases of this type, see one from the T.Y Chao Collection, included in the exhibition Ming and Ch'ing Porcelain from the Collection of the T.Y. Chao Family Foundation, Hong Kong Museum of Art, Hong Kong, 1978, cat. no. 79, sold as one of a pair in these rooms, 24th May 1974, lot 420, and again in our Hong Kong rooms, 19th May 1989, lot 270; another sold in our Hong Kong rooms, 29th April 1992, lot 126, and again at Christie's Hong Kong, 29th November 2007, lot 1686; and a third example sold at Christie's Hong Kong, 28th October 2002, lot 699, and again in our Hong Kong rooms, 9th October 2007, lot 1564. Another example was sold in our Hong Kong rooms, 8th October 2010, lot 2635.