View full screen - View 1 of Lot 13. Kaigan Joko (Kakutei, 1722-1785) | Mount Fuji | Edo period, dated Kinoe saru natsu (Summer, 1764).
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Kaigan Joko (Kakutei, 1722-1785) | Mount Fuji | Edo period, dated Kinoe saru natsu (Summer, 1764)

The Property of a Private Collector

Kaigan Joko (Kakutei, 1722-1785) | Mount Fuji | Edo period, dated Kinoe saru natsu (Summer, 1764)

Kaigan Joko (Kakutei, 1722-1785) | Mount Fuji | Edo period, dated Kinoe saru natsu (Summer, 1764)

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The Property of a Private Collector

Kaigan Joko (Kakutei, 1722-1785)

Mount Fuji

Edo period, 18th century


a hanging scroll: ink on paper, signed Kakutei dojin no, sealed Kakutei zusho and with two further red seals, dated Kinoe saru natsu (Summer, 1764), silk brocade border, marine ivory scroll ends, fitted wood storage box inscribed to the reverse of the cover Kayahara no shozo (Collection of Kayahara) and sealed


49.8 x 83 cm., 19⅝ x 32⅝ in. (excluding mount)

140.5 x 103.5 cm., 55¼ x 40¾ in. (including mount)

10 x 109.3 x 11.5 cm., 4 x 43 x 4½ in. (the fitted wood storage box)

As can be seen in the illustration, there are some slight creases and slight marks to the sky and water, slight foxing, the inner box with small piece missing to one end, the outer box with soiling from tape.


Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Kayahara collection.

Born in Nagasaki, Kaigan Joko (more often known by his sobriquet Kakutei) spent his formative years as a priest at the Shofukuji, an Obaku Zen temple where he also studied under Kumashiro Yuhi (1712-1773). Yuhi was a student and follower of the Chinese painter Shen Quan (Shen Nanpin, 1682-1760) who sojourned in Nagasaki from 1731 for several years. Two of Yuhi’s disciples Joko and So Shiseki (1715-1786) are credited for transmitting the school’s vibrant colour, naturalistic style of bird-and-flower painting to Kyoto and Edo in the 1770s where the continental style became known as the Nanpin School. 


For a similar painting by Kakutei executed in the same year in the collection of the Kobe City Museum, go to:

https://www.kobecitymuseum.jp/collection/detail?heritage=367504