Contemporary Evening Auction
Contemporary Evening Auction
A Life in Art: The Mallin Collection
Ugo Rondinone
Hell, Yes!
Auction Closed
November 17, 01:40 AM GMT
Estimate
300,000 - 500,000 USD
Lot Details
Description
A Life in Art: The Mallin Collection
Ugo Rondinone
b. 1964
Hell, Yes!
neon, Perspex, translucent film and aluminum
115 by 290 by 6 in.
292.1 by 736.6 by 15 cm.
Executed in 2001, the present work is number 1 from an edition of 2 plus 1 artist’s proof. The artist's proof is held in the collection of the New Museum.
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藝術人生︰瑪林伉儷收藏
烏戈・龍迪諾內
生於1964年
《Hell, Yes!》
霓虹燈、有機玻璃、半透明薄膜及鋁材
115 x 290 x 6 英寸
292.1 x 736.6 x 15 公分
2001年作。1版2件，此作為第1件，另有1件藝術家自留版；藝術家自留版現藏於紐約新美術館
Please note, this lot will be available for collection from Dun-Rite following the auction and the successful purchaser will be responsible for collection, shipping and release fees. Please contact jacqueline.dishner@sothebys.com with any questions.
Sadie Coles HQ, London
Acquired from the above in June 2001 by the present owner
Acquired from the above in June 2001 by the present owner
Exh. Cat., London, Whitechapel Gallery, Ugo Rondinone: Zero Built A Nest In My Navel, 2005, pp. 152-153, illustrated in color (in installation at fa Projects)
Francesco Bonami, Julie Rodrigues Wildholm & Tricia van Eck, Universal Experience: Art, Life and the Tourist’s Eye, Chicago 2005, p. 207 (text)
Michael Wilson, "London: Ugo Rondinone," Artforum, January 2006, illustrated in color (in installation at FA Projects) (online)
Exh. Cat., Kunstmuseum Wolfsburg, Precision and Madness: Swiss Art from Hodler to Hirschhorn, 2007, p. 177 (text)
Marina Cashdan, "Hell, Yes! The New Museum of Contemporary Art," Haute Living, 2 January 2008, illustrated in color (in installation at New Museum) (online) (another edition)
Julieanna Preston, Interior Atmospheres, Chichester 2008, p. 101 (text)
Sarah Lowndes, Social Sculpture: The Rise of the Glasgow Art Scene, Glasgow 2010, p. 336 (text) (edition no. unknown)
Jen Carlson, "Hell, No: Hell, Yes Sign To Come Down," Gothamist, 26 October 2010, n.p., illustrated in color (in installation at New Museum) (online) (another edition)
Ann Fensterstock, Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond, New York 2013, p. 229 (text) (another edition)
Cher Krause Knight & Harriet Senie, eds., Museums and Public Art?, Newcastle upon Tyne 2018, p. 109 (text) (another edition)
Francesco Bonami, Julie Rodrigues Wildholm & Tricia van Eck, Universal Experience: Art, Life and the Tourist’s Eye, Chicago 2005, p. 207 (text)
Michael Wilson, "London: Ugo Rondinone," Artforum, January 2006, illustrated in color (in installation at FA Projects) (online)
Exh. Cat., Kunstmuseum Wolfsburg, Precision and Madness: Swiss Art from Hodler to Hirschhorn, 2007, p. 177 (text)
Marina Cashdan, "Hell, Yes! The New Museum of Contemporary Art," Haute Living, 2 January 2008, illustrated in color (in installation at New Museum) (online) (another edition)
Julieanna Preston, Interior Atmospheres, Chichester 2008, p. 101 (text)
Sarah Lowndes, Social Sculpture: The Rise of the Glasgow Art Scene, Glasgow 2010, p. 336 (text) (edition no. unknown)
Jen Carlson, "Hell, No: Hell, Yes Sign To Come Down," Gothamist, 26 October 2010, n.p., illustrated in color (in installation at New Museum) (online) (another edition)
Ann Fensterstock, Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond, New York 2013, p. 229 (text) (another edition)
Cher Krause Knight & Harriet Senie, eds., Museums and Public Art?, Newcastle upon Tyne 2018, p. 109 (text) (another edition)