George Rickey

Gallery Yamaguchi, Tokyo

Acquired from the above by the present owner in 1991

Berlin, Galerie Schoeller, George Rickey zum 80. Gebertstag, 1987

Berlin, Galerie Pels-Leusden, George Rickey zum 80. Gebertstag, 1987

Yokohama, Gallery Kasahara, NICAF International Contemporary Art Fair, George Rickey, 1993, p. 15, illustrated

Osaka, Gallery Kasahara, George Rickey, 1993, p. 9, illustrated

Osaka, Gallery Kasahara, George Rickey, 2000, p. 8, illustrated

“Since the design of the movement is paramount, shape, for me, should have no significance of itself; it merely makes movement evident.” — George Rickey 

Seven Rotors Haning serves as a quintessential example of Rickey’s delicately crafted kinetic sculptures. The present work, which the artist would describe as a “useless machine”, exists as a poetic structure which gravitates in its own space and time. By creating his own machines deprived of any apparent functionality, the artist is rejecting the mechanization of production in America’s consumerist society. His graceful sculptures capture the beauty of meaningless movement guided by the natural world. Rickel’s works, in which the element of perceptible time is incorporated into an essentially timeless medium, continue to spellbind viewers around the globe.