Gerhard Richter

Sotheby's London, 13 October 2012, Lot 237 (donated by the artist)

Acquired from the above by the present owner

Kanazawa, 21st Century Museum of Contemporary Art; Sakura City, Kawamura Memorial Museum of Art, Gerhard Richter: Painting as Mirror, September - October 2005, illustrated in colour

Beirut, Beirut Art Center, Gerhard Richter - Beirut, 2012, p. 127, illustrated in colour

Exh. Cat., Kanazawa, 21st Century Museum of Contemporary Art, Gerhard Richter: Painting as Mirror, 2005, p. 122, illustrated in colour 

Exh. Cat., Dusseldorf, K20 Kunstsammlung Nordrhein-Westfalen (and travelling), Gerhard Richter Catalogue Raisonné 1993 – 2004, 2005, p.299., no. 881-2, illustrated in colour

Exh. Cat., Osnabrück, Kunsthalle Dominikanerkirche, Bilderschlachten. 2000 Jahre Nachrichten aus dem Krieg, 2009, pp. 264-265, illustrated

Exh. Cat., London, Tate Modern, Gerhard Richter: Panorama, 2011, p. 76, text

Gunnar Schmidt, ‘Gerhard Richters Bridge 14 FEB 45’, in, Bombenkrater. Das Bild der terroristischen Moderne, Emsdetten/Berlin 2016, pp. 93-102

Georges Didi-Huberman, ‘Sortir du plan. 2. L’ecorcement. 3e et 4e lettres a Gerhard Richter’, in, Bombenkrater. Das Bild der terroristischen Moderne, Emsdetten/Berlin 2016, pp. 35

Georges Didi-Huberman, Wo es war: vier Briefe an Gerhard Richter, Dresden 2018, p. 127

Dietmar Elger, Ed., Gerhard Richter. Catalogue Raisonné, 1994-2006, Volume 5, Berlin 2019, p.448, no. 881-2, illustrated in colour