Felix González-Torres

Ades, Dawn. Tate Latin American Acquisitions Committee: Celebrating 10 Years. New York: American Patrons of the Tate, 2011: 34 (ill.), 35.

Ault, Julie (ed.). Macho Man Tell It To My Heart. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2016. Ault, Julie (ed.). Felix Gonzalez-Torres. Gottingen, Germany: Steidldangin, 2006.

Barrero, Manuela. Comer o no Comer. Salamanca, Spain: Centro de arte de Salamanca, 2002: 47 (ill.), 70.

Barson, Tanya. “Felix Gonzalez-Torres, “Untitled” (March 5th) #2 1991.” American Patrons of Tate Annual Report 2008. New York: American Patrons of Tate, 2008: 10 (ill.), 11, 23.

Bonami, Francesco. A Very Short History of Contemporary Sculpture. London: Phillips, 2014. Bourriaud, Nicolas. “Paradigmas de la cohabitación.” Página 12 [Argentina], 9 Sep. 2008: 37.

Bray, Natalie, and Cara Baldwin. Transformed. Virginia Beach, VA: the Contemporary Art Center of Virginia, 2008: 4, 9, 20 (ill.), 21 (ill.), 35, 38.

Buchholz, Daniel and Gregorio Magnani (ed.). Multiples. Köln:Verlang der Buchhandlung Walther König / Tokyo: Spiral / Wacoal Art Center, 1993: 81(ills), 82 (ills.).

Casanovas, Laura. “Invitan al público en el Malba a llevarse parte de las obras.” La Nación [Argentina], 9 May. 2008: 10.

Chambers-Letson, Joshua. After the Party: A Manifesto for Queer of Color Life. New York: New York University Press, 2018.

Chapman, Christopher. “Personal Effects: on aspects of work by Felix Gonzalez-Torres.” Contemporary Visual Arts + Culture Broadsheet 25.3 Spring 1996: 16 – 17 (ill.).

Claire Schneider ed. More Love: Art Politics, and Sharing since the 1990s. Chapel Hill: Ackland Art Museum, 2013: 13-56, 102-107, 194-196 (ill.).

Cué, Anna Laura and Katnira Bella, ed. Félix González-Torres: Somewhere/Nowhere [Algún lugar/Ningún lugar]. Mexico City: Universidad Nacional Autónoma de Mexico, Museo Universitario Arte Contemporáneo, 2010.

Delehanty, Suzanne. Dream Collection: Gifts and Just a Few Hidden Desires. Miami, FL: Miami Art Museum, 1996.

Désanges, Guillaume, and Mélanie Mermod. La Foule (Zéro – Infini): Chapitre 2 (chaos – contrôle) [The Crowd (Zero – Infinity): Chapter 2 (chaos – control)]. Clermont-Ferrand, France: L’Espace d’Art Contemporain La Tôlerie, 2008: cover (ill.), 13 – 15.

Desclaux, Vanessa (ed.). In a Sentimental Mood. Paris: La Galeries Des Galeries, 2012: 4-5 (ill.).

Elger, Dietmar, et al (ed). Felix Gonzalez-Torres: Catalogue Raisonné. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1997. [Two volumes published to accompany an exhibition at the Sprengel Museum Hannover, Germany: Vol. 1: Text, with essays by Roland Wäspe, Andrea Rosen, Dietmar Elger, Rainer Fuchs, and David Deitcher; Vol. 2: Catalogue Raisonné].

Escalante, Mireya. Las Implicaciones de la Imagen [Implications of the Image]. Mexico City: Universidad Nacional Autónoma de México, Dirección General de Artes Visuales, Museo Universitario de Ciencias y Arte, 2008: 190, 191-193 (ill.), 208, 209 (ill.), 231, 241.

Felix Gonzalez-Torres. Montevideo, Uruguay: Museo Nacional de Artes Visuales, 2000.

Filipovic, Elena (ed.). Felix Gonzalez-Torres: Specific Objects Without Specific Form. London: Koenig Books, 2016.

Goetz, Ingvild (ed.). Felix Gonzalez-Torres – Roni Horn. Munich: Sammlung Goetz, 1995.

Griffith, Phillip. "Felix Gonzalez-Torres." The Brooklyn Rail, 1 June 2017. Web.

Hinkson, Lauren. “Acquisitions: Gift.” Guggenheim Magazine Summer 2009: 4 (ill.).

Hort, Rema. “Reflecting on Felix Gonzalez-Torres During COVID-19.” White Wall Magazine, 20 Apr. 2020. Web. I’m Not Here. Harrisburg, PA: Susquehanna Art Museum, 2000: postcard cover (ill.), poster cover (ill.).

Kennedy, Randy. "Virus, Imposter, Infiltrator: Recent Work by Maximilian Schubert with a Visitation by Felix Gonzalez-Torres.” Doubles. New York: Hassla Books; 2020.

Kosiewski, Piotr. "Chlopiec z cukierkami." Art eon [Poland], 1 Apr. 2011: 6-8.

Lingwood, James (ed.). Inside: Artists and Writers in Reading Prison. London: Artangel, 2017. López, Antonio. "La Luz: Illuminating U.S. Latino Art." Pasatiempo 2 - 8 March 2001.

Love, Reeve, ed. La Luz: Contemporary Latino Art in the United States. Albuquerque, NM: National Hispanic Cultural Center of New Mexico, 2000: cover (ill.).

Lykins Reich, Megan. Dirge: Reflections on [Life and] Death. Cleveland: Museum of Contemporary Art Cleveland, 2014: 18-19 (ill.).

Macel, Christine and Rachael Thomas (eds.). What We Call Love: From Surrealism to Now. Dublin: Irish Museum of Modern Art, 2015: 60 (ill.), 61.

Mavor, Carol. Reading Boyishly: Roland Barthes, J.M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D.W. Winnicott. Durham, NC and London: Duke University Press, 2007: 160 (ill.), 161.

Mclean, Matthew. "Felix Gonzalez-Torres." frieze, No. 181, Sept. 2016: 168-9 (ills.)

Menocal, Nina. 15 Artistas Cubanos [Fifteen Cuban Artists: The Diaspora of the 80's]. Mexico City: Ninart Centro de Cultura, 1991: 7, 11 (ill.), 36 (ill.), 37, 45.

Montornes, Frederic. “Dos simples bombillas.” Suite 32 (Feb. 2005): 28-29.

Montornés, Frederic. Lux/Lumen. Barcelona: Fundació Joan Miró, 1997: 11, 34 (ill.), 35, 41, 42-43 (ill.), 54-57, 59, 70, 71, 77-78, 85, 86, 92-93.

Poirier, Jean-Francois. “Felix Gonzalez-Torres.” Encyclopaedia Universalis, 1997: 477 – 478.

Prévost, Jean-Marc, et al. Propositions. Rochechouart, France: Musée Departmental d’Art Contemporain de Rochechouart, 1996: 8 – 13, 14 – 19 (ill.), 83-87.

Rivière, Jean-Loup, and Éric Mézil. Patrice Chéreau: Un Musée Imaginaire. Collection Lambert, Avignon; 2015. 164 (ill.).

Rondeau, James and Anne Rorimer. Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago, New Haven, CT, and London: The Art Institute of Chicago and Yale University Press, 2011: 58-59 (ill.), 156.

Rondeau, James. The Art Institute of Chicago: Museum Studies - The Lannan Collection at The Art Institute of Chicago. Chicago: Art Institute of Chicago, 1999: 84 – 85.

Sammlung Hauser und Wirth in der Lokremise St. Gallen. The Oldest Possible Memory. Koln: Oktagon, 2001: 81 (ill.), 84.

Schall, Jan, and Robert Storr. Sparks!: The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art. Kansas City, MO: The Nelson-Atkins Museum of Art, 2008: 7 (ill.), 80, 81 (ill.).

Searle, Adrian. "Felix Gonzalez-Torres review - holding a mirror up to love and loss" Guardian. 27 May 2016. Web. Sine, Tom. "A New View." The Dallas Morning News. 5 Nov. 2000. Web.

Spector, Nancy. Felix Gonzalez-Torres. New York: Guggenheim Museum Publications, 1995.

Thorson, Alice. "Art: There's always a little sense of danger." Kansas City Star. 1 Apr. 2007: G8.

Torp, Marianne. Reality Check. Copenhagen, Denmark: Statens Museum for Kunst, 2008: 90, 91 (ill.), 138, 141.

Untitled. Wettern, Belgium: Cultura, 2012: 202-203 (ill.).

Wagner, Frank, ed. Felix Gonzalez-Torres. Berlin: Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006.