Emily Genauer, “Works of Young Sculptors Burst the Bonds of Space,” New York Herald Tribune, 6 August 1950, sec. 5, p. 5
Belle Krasne, “Three Who Carry the Acetylene Torch of Modernism,” Art Digest 25, no. 14, 15 April 1951, p. 14
Progressive Architecture, Vol.XXXI no. 10, October 1950, p. 17, illustrated
Justus Bier, "Art: Junior Gallery Exhibit Emphasizes Modern Sculpture Processes," Courier Journal (Louisville, Kentucky), 21 January 1951, p. 16
Arthur Millier, “Sculpture Changes with Trends, Times: Exhibit at County Museum Stresses Use of Moern Techniques in Art,” Los Angeles Times, 27 January 1952, part IV, p. 6
Joy Hakanson, “Seligmann, Smith at Museum; Gropper Solo Opens Monday,” Detroit Free Press, 20 February 1955, n.p.
Miriam Duncan Cross, “’Expressionism, 1900-1955’ Registers Enormous Impact, Oakland Tribune, 1 July 1956, p 8C
Exh. Cat., Boston, Harvard University, Fogg Art Museum, David Smith 1906-1965: A Retrospective Exhibition, 1966, p. 70
Rosalind E. Krauss, The Sculpture of David Smith: A Catalogue Raisonné, New York and London, 1977, no. 200, p. 39, illustrated
David Cohen, “Between Whimsey & Gravity: The Sculpture of David Smith,” Metalsmith, Vol. 26, no. 5, 2006, pp. 37 and 39, illustrated in color
Kenneth E. Silver, “The Colossus of Bolton Landing,” Art in America, October 2006, pp. 154 and 159, illustrated in color
Exh. Cat., Centre Georges Pompidou, David Smith Sculptures 1933-1964, 2006, p. 40
Alan Gouk, “Steel Sculpture Part I: From Gabo to Caro.” Abstract Critical, 17 April 2014, p.5
Christopher Lyon, David Smith Sculpture: A Catalogue Raisonné, 1932-1965, New Haven and London, 2021, no. 240, p. 283