'Malempré created a number of popular subject works in a tender lyrical vein, free of the affectation and cleverness which was often found by English critics to mar continental work' (Ward-Jackson, op. cit. p. 48).
Louis-Auguste Malempré worked as an assistant to the sculptor's William Theed and Henri de Triqueti and exhibited regularly at the Royal Academy between 1852-1879. The majority of his work followed popular Victorian Ideal themes such as Innocence (RA 1859) and Spring (RA 1873).
RELATED LITERATURE
P. Ward-Jackson, 'French Modellers in the Potteries,' in P. Atterbury (ed.), The Parian Phenomenon, Shepton Beauchamp, 1989, pp. 48-56