The Three Emperors: Imperial Porcelain of the Kangxi, Yongzheng and Qianlong reigns from the Yidetang Collection

The Three Emperors: Imperial Porcelain of the Kangxi, Yongzheng and Qianlong reigns from the Yidetang Collection

View full screen - View 1 of Lot 39. A fine Ming-style blue and white 'lotus bouquet' dish, Mark and period of Yongzheng | 清雍正 青花一把蓮紋盤 《大清雍正年製》款.

A fine Ming-style blue and white 'lotus bouquet' dish, Mark and period of Yongzheng | 清雍正 青花一把蓮紋盤 《大清雍正年製》款

Auction Closed

October 12, 11:48 AM GMT

Estimate

600,000 - 800,000 HKD

Lot Details

Description

A fine Ming-style blue and white 'lotus bouquet' dish

Mark and period of Yongzheng

清雍正 青花一把蓮紋盤 《大清雍正年製》款


with shallow rounded sides supported on a short tapered foot, finely decorated to the interior with a ribbon-tied bouquet of lotus blossoms and other aquatic plants, encircled by a border of composite floral scroll, all below a classic scroll band, the exterior similarly painted with a composite scroll of flowers, between a key-fret band at the rim and a classic scroll frieze, the base with a six-character reign mark within a double circle

21.3 cm

Christie's London, 10th June 1996, lot 94.


倫敦佳士得1996年6月10日,編號94

A similar dish painted with this elegant motif of a luxuriant lotus bouquet in the collection of the Palace Museum, Beijing, is included in Geng Baochang ed., Gugong Bowuyuan cang Ming chu qinghua ci [Early Ming blue-and-white porcelain in the Palace Museum], Beijing, 2002, vol. 2, pl. 199.


The lotus bouquet, with its beribboned cluster of lotus blooms, leaves and water weeds, first appeared on blue and white porcelain in the Yongle period and was revived in the early Qing dynasty. A Yongle dish painted with this design from the Qing court collection, but much larger in size and decorated with a border of waves, is preserved in the National Palace Museum, Taipei, and included in Pleasingly Pure and Lustrous: Porcelains from the Yongle Reign of the Ming Dynasty. Guidebook, Taipei, 2017, pp. 66-67.


北京故宮藏相類之雍正青花一把蓮盤,見耿寶昌編,《故宮博物院藏明初青花瓷》,北京,2002年,下冊,圖版199。


一把蓮紋花枝曼麗,蓮蓬盛開,莖葉浮動,初為永樂青花紋飾,時至清初再度風靡。比較一台北故宮藏清宮舊藏永樂盤,繪一把蓮紋,但尺寸較大,邊綴海水,收入《適於心:明代永樂皇帝的瓷器》,台北,2017年,頁66-67。