The Now Evening Auction
The Now Evening Auction
Mickalene Thomas
Portrait of Maya #10
Auction Closed
November 19, 12:27 AM GMT
Estimate
500,000 - 700,000 USD
Lot Details
Description
Mickalene Thomas
b.1971
Portrait of Maya #10
米卡琳・托馬斯
《瑪雅肖像#10》
signed M. Thomas, titled and dated 2017 (on the reverse)
rhinestones and acrylic on canvas mounted on wood panel
96 by 84 in.
243.8 by 213.4 cm.
Executed in 2017.
款識：藝術家簽名M. Thomas、書題目並紀年2017（背面）
人造水晶、壓克力彩畫布，裱於木板
96 x 84 英寸
243.8 x 213.4 公分
2017年作
Galerie Nathalie Obadia, Paris
Acquired from the above by the present owner in January 2018
Acquired from the above by the present owner in January 2018
Ronald Sosinski, “Artist Mickalene Thomas on Her New Work and Creative Process,” AS IF Magazine, 2018, illustrated in color (online)
Julie L. Belcove, “Artist Mickalene Thomas: It was always a political statement,” Financial Times, 31 August 2018, illustrated in color (online)
Jill Glessing, “Mickalene Thomas: Crossovers,” Border Crossings, May 2019, illustrated in color (online)
Simon Sutnick, "Mickalene Thomas on 'Figuring History'," Cultured Magazine, 16 February 2018, (text) (online)
"Figuring History: Robert Colescott, Kerry James Marshall, and Mickalene Thomas," Musée Magazine, 26 January 2018, illustrated in color (online)
Julie L. Belcove, “Artist Mickalene Thomas: It was always a political statement,” Financial Times, 31 August 2018, illustrated in color (online)
Jill Glessing, “Mickalene Thomas: Crossovers,” Border Crossings, May 2019, illustrated in color (online)
Simon Sutnick, "Mickalene Thomas on 'Figuring History'," Cultured Magazine, 16 February 2018, (text) (online)
"Figuring History: Robert Colescott, Kerry James Marshall, and Mickalene Thomas," Musée Magazine, 26 January 2018, illustrated in color (online)
Ontario, Art Gallery of Ontario and New Orleans, Contemporary Arts Center, Mickalene Thomas: Femmes Noires, 2018-2020, p. 101, illustrated in color (New Orleans venue only)
Seattle Art Museum, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, February - May 2018