Follower of Carle van Loo
A Pascha and his consort with an artist painting her portrait
No reserve
Lot Closed
July 12, 03:39 PM GMT
Estimate
400 - 600 EUR
Lot Details
Description
Follower of Carle van Loo
A Pascha and his consort with an artist painting her portrait
Red chalk
165 by 210 mm
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Suiveur de Carle van Loo
Un pacha et sa compagne dans l'atelier d'un peintre
Sanguine
165 by 210 mm
With Bernard Houthakker, Amsterdam (Lugt 1272);
His sale, Amsterdam, Sotheby's, The Collection of the late Bernard Houthakker, 17-18 November 1975, lot 238 (as Carle van Loo);
Collection Professor Dr Drs Anton C.R. Dreesmann, Laren, inv. no B70;
His deceased sale, London, Christie's, The Dr Anton C.R. Dreesmann Collection, Part III, 11 April 2002 (QUINTEN-6673), lot 629, when acquired by Marianne Dreesmann;
Collection Mrs Marianne L. Dreesmann-van der Spek, Laren, inv. no B020;
Thence by inheritance to the present owners.
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Galerie Bernard Houthakker, Amsterdam (Lugt 1272) ;
Sa vente, Amsterdam, Sotheby's, The Collection of the late Bernard Houthakker, 17-18 novembre 1975, lot 238 (comme Carle van Loo) ;
Collection Professeur Dr Drs Anton C.R. Dreesmann, Laren, inv. n° B70 ;
Sa vente après décès, Londres, Christie's, The Dr Anton C.R. Dreesmann Collection, Part III, 11 avril 2002 (QUINTEN-6673), lot 629, où acquis par Marianne Dreesmann ;
Collection Mrs Marianne L. Dreesmann-van der Spek, Laren, inv. n° B020 ;
Par descendance aux propriétaires actuels.
P. Rosenberg and M. C. Sahut, Carle Vanloo, premier peintre du roi (Nice, 1705- Paris), 1765, Musée des Beaux-arts Jules Chéret, Nice, 1977, under no. 53.
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P. Rosenberg et M. C. Sahut, Carle Vanloo, premier peintre du roi (Nice, 1705- Paris), 1765, Musée des Beaux-arts Jules Chéret, Nice, 1977, sous le n° 53.
This drawing is a copy after Carle van Loo's painting of the same subject, commissioned by Jean de Julienne and exhibited at the Salon of 1737 (fig. 1).1 It was engraved by Bernard Lépicié in 1748.
1. P. Rosenberg and M. C. Sahut, 1977, op.cit., no 53.
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Ce dessin reprend la composition du tableau de Carle van Loo, commandité par Jean de Julienne et exposé au Salon de 1737 (fig. 1)1. Il fut gravé par Bernard Lépicié en 1748.
1. P. Rosenberg et M. C. Sahut, 1977, op.cit., n° 53.
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