View full screen - View 1 of Lot 132. Lamentation.
132

Maarten van Heemskerck

Lamentation

Estimate:

300,000

to
- 500,000 USD

Maarten van Heemskerck

Maarten van Heemskerck

Lamentation

Lamentation

Estimate:

300,000

to
- 500,000 USD

Lot sold:

352,800

USD

Maarten van Heemskerck

Heemskerk 1498 - 1574 Haarlem

Lamentation


oil on oak panel, with a shaped top

23 ½ by 17 ¼ in.; 59.7 by 43.8 cm. 

The following condition report has been provided by Simon Parkes of Simon Parkes Art Conservation, Inc. 502 East 74th St. New York, NY 212-734-3920, simonparkes@msn.com, an independent restorer who is not an employee of Sotheby's.


This work is painted on an oak panel made from three pieces joined vertically. One join runs through the left of the tree trunk, and the other immediately to the right of the tree trunk. Both of these joins have opened slightly and require some structural restoration. On the reverse, it can be seen that there are additions across the top and in the upper right and upper left corners, which create the contour of the top edge. There are three horizontal battens on the reverse, and the original joins have been reinforced with strips of canvas.


Under ultraviolet light, very fine retouches are visible in the two faces on the left. The central figure and the male figure in the upper right show very few retouches. The head of Christ also shows hardly any retouches, except in his hair. The body of Christ shows small but numerous retouches, particularly in the legs and in the shadows of the torso and arms. There are old restorations along the two original joins in the panel and isolated retouches in the darker colors of the clothing and background. The sky also seems to show retouches.


The paint layer is slightly dirty but does not necessarily need to be cleaned. If the vertical joins were repaired, the work could be hung in its current state.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Hans Klenk, Mainz, by circa 1970;
With Valery Taylor;
From whom acquired, 1990. 
M. Faries, "Attributing the Layers of Heemskerck's Cologne Lamentation of Christ," in Dessin sous-jacent dans le processus de création, 1995, p. 137;
M. Faries, C. Steinbüchel and J.R.J. van Asperen de Boer, "Maarten van Heemskerck and Jan van Scorel's Haarlem Workshop," in Historical Painting Techniques, Materials, and Studio Practice, June 1995, p. 139, under note 12;
M. Faries and L. Jansen, "Ecce Rex Vester: een vroeg meesterwerk van Maarten van Heemskerck," in 200 Jaar Verzamelen. Museum voor Schone Kunsten Gent, Amsterdam and Gent 2000, pp. 65-69;
I. Veldman, "Adaptation, emulation, and innovation: Scorel, Gossaert and other artists as a source of inspiration for the young Heemskerck," in Oud Holland, vol. 132 (4), no. 38, 2019, pp. 171, 195, 203, note. 7.
New York, Metropolitan Museum of Art, September - December 2006, on loan.