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23

Ivan Pavlovich Pokhitonov

The Hunters

VAT reduced rate

Estimate:

180,000

to
- 250,000 GBP

Property from a Private Collection, United States

Ivan Pavlovich Pokhitonov

Ivan Pavlovich Pokhitonov

The Hunters

The Hunters

Estimate:

180,000

to
- 250,000 GBP

Lot sold:

226,800

GBP

Property from a Private Collection, United States

Ivan Pavlovich Pokhitonov

1850 - 1923

The Hunters


signed in Latin and dated 1887 l.r.; further bearing a loan label from the Minneapolis Institute of Arts on the frame

oil on panel

Panel: 16 by 35.5cm, 6 ½ by 14 in.

Framed: 26.5 by 46.5cm, 10 ½ by 18 ¼ in.

The following condition report is provided by Hamish Dewar who is an external specialist and not an employee of Sotheby's:


Structural Condition

The artist's panel which has an even profile is providing a stable structural support.


Paint Surface

The paint surface has a relatively even, discoloured varnish layer. There is also evidence of a dirt layer and the painting would benefit from cleaning. There is a small loss to the varnish layers within the sky in the upper centre of the composition. Intermittent minor losses are visible on the extreme edges. These are obscured when the painting is housed in its rebated frame. The paint surface displays an overall pattern of fine lines of craquelure. This appears stable. Inspection under ultraviolet light confirms the discoloured varnish layer. Inspection under ultraviolet light also shows what appear to be a few minor retouchings on and close to the extreme edges of the composition.


Summary

The painting would therefore appear to be in essentially good and stable condition. The craquelure pattern should be noted.


Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

The artist
Boussod, Valadon & Cie (previously Goupil & Cie), Paris, acquired from the above on 26 May 1887 for 1800 francs
William S. Schaus, New York, acquired from the above on 20 June 1887 for 3500 dollars
Henry Graves, Orange, New Jersey
American Art Association, New York, Notable Art Treasures Collected by the Late Henry Graves, Orange, New Jersey, 25-27 February 1909, lot 2 The Sportsmen
S.A. Datman, United States
Solow Galleries
Parke-Bernet Galleries, New York, 3 June 1960, lot 24
Virginia Lange, acquired at the above sale
Parke-Bernet Galleries, New York, Barbizon and Other XIX and XX Century Paintings, 13 December 1967, lot 22
Sloan & Roman, Madison Avenue, New York, acquired at the above sale
Acquired from the above by the family of the present owner in 1969



O.Bertrand, Ivan Pokhitonov (1850-1932), Catalogue Raisonné, Volume 1, Luxembourg: Belart International Editions, 2015, p.173, no.C26 illustrated b/w

In the same family collection since 1969, the present hunting scene, a genre that Pokhitonov loved and excelled at, is one of the most accomplished to appear at auction in recent memory. Two hunters, accompanied by a young boy, search their surrounding terrain. Both men look inquisitively to where the boy points with his right arm. They both have their hunting guns at the ready.


The colour palette is marked by pale grays, greens, blues, and light terracottas, and the work is permeated with light and warmth. Here, Pokhitonov demonstrates his love for nature, meticulously rendering each detail. It brings together elements of the influences which formed his style, namely that of French nineteenth-century landscape artists and Russian landscape and genre painting. It draws heavily from the Barbizon school principles, which Pokhitonov became accustomed to upon befriending Barbizon artists Jules Dupré and Henri Harpignies.


In 1887, when this painting was executed, Pokhitonov was living in Biarritz in south-western France. Throughout the next few decades, until his death in 1923, he travelled around Europe and Russia, living and working predominately in France and Belgium.