View full screen - View 1 of Lot 164. A late George II carved giltwood wall mirror, after a design by Thomas Johnson, circa 1760.
164

A late George II carved giltwood wall mirror, after a design by Thomas Johnson, circa 1760

UK: Greenford Park Warehouse

Estimate:

15,000

to
- 25,000 GBP

Property of a Gentleman

A late George II carved giltwood wall mirror, after a design by Thomas Johnson, circa 1760

A late George II carved giltwood wall mirror, after a design by Thomas Johnson, circa 1760

Estimate:

15,000

to
- 25,000 GBP

Lot sold:

37,800

GBP

Property of a Gentleman

A late George II carved giltwood wall mirror, after a design by Thomas Johnson

circa 1760


the boldly carved frame in the rococo style, with mirrored reserves, losses

212cm. high, 140cm. wide; 6ft. 11 1/2 in., 4ft. 7in.

A spectacular mirror that will restore very well. Missing some carved flora and fauna including possibly a small swan to apron and dog to marginal scrolling when compared to Johnson's original design. The moulded and scrolled structure with age cracks, splits and separations. Areas of filler and crude estate repairs. Chips and losses to carved detail. Areas of re-gilding and rubbing to raised surfaces. There is movement to the piece at constructional joins to both the front and the back. Two of the birds have come off and been reattached and present losses. Mirror plates with areas of foxing and losses to silvering. Frame is in country house condition and would benefit from a deep clean and further attention. Very decorative.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Probably supplied to Sir Thomas Taylour, 1st Earl of Bective (1724-1795);
Thence by descent to his son Thomas Taylour, 2nd Earl of Bective (1757–1829), created Marquess of Headfort in 1800;
Thence by descent to Thomas Taylour, 3rd Marquess of Headfort (1822–1894);
Thence by descent to his daughter Lady Beatrix Stanley (née Taylour) (1877–1944) and at her London home by 1927;
Thence by descent.

Godwin Basley & Co, Inventory of the Contents of 9 Cadogan Square, London, June 1927; 'A wall mirror of Chippendale [design?] carved and gilt frame of the Chinese transition period with embellished birds etc.' in the first floor drawing-room, p.71.

By repute this remarkable mirror was supplied to the 1st Earl of Bective, possibly for Headfort, a house built to designs by George Semple, or perhaps for the Earl's London townhouse. The vendors family are descendants of the 1st Earl. Certainly there are three further stylistically similar mirrors which formed part of a distinct group from Headfort. All share some key characteristics, primarily elaborately carved frames in a flamboyant rococo style (illustrated, James Peill and The Knight of Glin, Irish Furniture, 2007, pp. 262-263, pls. 230, 232, 233 and 234)


It is particularly interesting that the present mirror, conceived in the late George II ‘Rococo’ taste, is after a design by Thomas Johnson (1714-1778) first published in 1756 and included in his Collections of Designs, 1758, plate 4 (reproduced Helena Hayward, Thomas Johnson and English Rococo, London, 1964, also as plate 4). Johnson's publication was dedicated to Lord Blakeney, 'Grand President of the Anti-Gallican Association and to the Brethren of the Order' of which Johnson was himself a member. While the Association was founded 'to oppose the insidious arts of the French Nation', it is ironic that Johnson clearly transposes elements from French patterns. Johnson’s exuberant imagination informed his fantastical designs, with recurrent motifs including dolphins, exotic birds (as evidenced in the present lot), animals from Aesop's fables and Chinoiserie figures. Evidently his talent caught the attention of Chippendale who credits him with several Rococo designs in the Third Edition of the Director


Johnson was also a highly skilled carver and gilder, and is known to have supplied mirrors in the early 1760s through the London upholsterer George Cole of Golden Square, Soho, to Paul Methuen at Corsham Court, Wiltshire, and the Duke of Atholl at Blair Castle in the Scottish Highlands. It is very possible that the present mirror, offered here, could well have come from his workshop.