View full screen - View 1 of Lot 414. Van Chrome TV and Clock Radio .
414

Kenny Scharf

Van Chrome TV and Clock Radio

Kenny Scharf

Kenny Scharf

Van Chrome TV and Clock Radio

Van Chrome TV and Clock Radio

Kenny Scharf

b. 1958

Van Chrome TV and Clock Radio


acrylic, rhinestones, shells, stones, fuses, tinsel, toy figure and magnet on television and antennae, clock radio, remote control, two plasters pillars, with electrical components

Television and antennae: 31 by 24¼ by 18½ in. (78.7 by 61.6 by 47 cm.)

Clock Radio: 6½ by 11½ by 5¼ in. (16.5 by 29.2 by 13.3 cm.)

Remote control: ¾ by 6½ by 2⅜ in. (1.9 by 16.5 by 6 cm.)

Pillar (i): 24 by 9 by 9 in. (60.1 by 22.9 by 22.9 cm.)

Pillar (ii): 24 by 11½ by 12 (60.1 by 29.2 by 30.5 cm.)

Executed in 1983.

This work is in good and sound condition overall. The electrical components for both the television and clock radio are in working order. There are tonal and textural variations to the surface, inherent to the artist's working method and chosen media. There is minor soiling and a light layer of surface dust present throughout, most notably at the crevices. There are a few scattered minor losses to the collage elements, visible upon close inspection. There is general wear with associated minor scratches, accretions and handling marks throughout the various parts and to some of the collage elements.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Tony Shafrazi Gallery, New York

Private Collection, St. Louis

St Louis, St. Louis Art Museum, Art of the 80s: Recent Acquisitions by St. Louis Collectors, November 1986 - January 1987

“Scharf developed a distinct and uniquely personal artistic style in paintings as well as sculpture, alongside his mentor Andy Warhol, and contemporaries like Jean-Michel Basquiat and Keith Haring with whom he pioneered contemporary street art. References to popular culture recur throughout his works, such as appropriated cartoon characters from the Flintstones and Jetsons, as well as imagined anthropomorphic creatures. Through ecstatic compositions and a dazzling color palette, Scharf presents an immersive viewing experience that is both intimate and fresh. Scharf’s multifaceted practice—spanning painting, sculpture, installation work, murals, performance and fashion—reflects his dedication to the creation of dynamic forms of art that deconstruct existing artistic hierarchies, echoing the philosophy of Pop artists. Yet Scharf’s artistic significance expands beyond the art historical terrain of Pop Art; the artist instead coined the term ‘Pop Surrealist’ to describe his one-of-a-kind practice. His inclusion in the 1985 Whitney Biennial marked the start of his international phenomenon, a reputation that continues to thrive today.”


“Almine Rech to open new gallery in Paris with Kenny Scharf solo show,” ArtDaily, January 2021.