1958 - 1990
acrylic on particle board
signed and dated Sept 82 on the reverse
7¼ by 9 in. (18.4 by 22.8 cm.)
This work is in very good condition overall. There is scattered minor surface dust visible upon close inspection. There is stray media to the turning edges of the board. There is minor handling wear to the extreme edges and corners of the board visible upon close inspection. There are scattered pinpoint and drip accretions throughout the composition and visible upon close inspection. There is a minor loss to the pigment with associated hairline cracking to the left of the figure's neck visible upon close inspection. There is a minor flake loss to pigment at the upper right corner.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Private Collection (acquired in New York circa mid-1990's)
Keith Haring rose to prominence in the 1980s, with his decade-long career marking a historic mixing of the fine art and street art worlds. Haring is known for his experimentations in installation, collage, and video, but always remained most tied to his commitment to drawing. Known for his subway drawings, the artist garnered public attention through his chalk drawings on empty ad panels in the New York subway system. As he crafted hundreds of these works, New Yorkers would stand to watch -- and sometimes critique -- the production of these works. Engaging with the frenzied energy of the subway system, as well as the temporal nature of such chalk drawings, Haring was able to use the underground as a “laboratory” for experimentation.
Haring’s career quickly developed over the course of the decade, propelling the Pennsylvania-born artist into the limelight of the New York art world. He went on to create dozens of public murals throughout the city, known for mixing his vibrant and graphic style with political and societal messaging. Haring was noted for his involvement in raising awareness around AIDS and safe sex practices, opening a public dialogue around such taboo subjects in the New York art world.