Master of Charles of Durazzo

Adolphe Stoclet (1871–1949), Brussels (as Bernardo Daddi);

By descent to his daughter Raymonde Feron-Stoclet (1897–1963), Brussels;

Private collection, Italy, after 1998;

By family descent;

From whom acquired by the present owner in 2014.

J.P. van Goidsenhoven, Adolphe Stoclet Collection (part I). Selection of the Works Belonging to Madame Feron-Stoclet, Brussels 1956, pp. 48–53, reproduced in colour, details on pp. 51 and 53 (as Bernardo Daddi);

M. Boskovits, ‘Il Maestro di Incisa Scapaccino e alcuni problemi di pittura tardogotica in Italia’, in Paragone, XLII, 1991, 501, p. 46 n. 14;

E. Fahy, ‘Florence and Naples: a cassone panel in the Metropolitan Museum of Art’, in Hommage à Michel Laclotte, P. Rosenberg (ed.), Paris 1994, pp. 242–43 n. 26, republished in De Marchi and Sambo (eds) 2020 (as the Master of Charles of Durazzo);

A. Tartuferi, ‘I dipinti («... anche questo è suo!»)’, in Un tesoro rivelato. Capolavori dalla collezione Carlo De Carlo, exh. cat., M. Scalini and A. Tartuferi (eds), Galleria dell’Accademia, Florence, 6–31 March 2001, p. 37, reproduced on p. 36, fig. 6 (as Florentine painter, c. 1370 [Agnolo Gaddi?]);

A. Tartuferi, ‘I pittori dell’oratorio: il Maestro di Barberino e Pietro Nelli, Spinello di Luca e Agnolo Gaddi’, in L’oratorio di Santa Caterina all’Antella e i suoi pittori, exh. cat., A. Tartuferi (ed.), Ponte a Ema, Bagno a Ripoli, 19 September – 31 December 2009, Florence 2009, pp. 99–100 (as Agnolo Gaddi);

E. Fahy, ‘Florence and Naples: a cassone panel in the Metropolitan Museum of Art’, in Studi sulla pittura toscana del Rinascimento. Studies in Tuscan Renaissance Painting, vol. I, Scritti scelti, A. De Marchi and E. Sambo (eds), Bologna–Roma 2020, pp. 250–51 n. 27 (as the Master of Charles of Durazzo).