301. Florentine School, late 14th Century

A triptych: The Virgin and Child with Saints Dominic and Francis (central panel); The Flagellation and the Resurrection (left wing); The Crucifixion (right wing)

302. Florentine School, early 15th Century

The Virgin and Child with four saints

303. Francesco Signorelli

The Adoration of the Shepherds

304. Hispano-Flemish, probably Castillian, 16th century

Saints Valentine and Egidius

305. Hispano-Flemish School, circa 1580

The Virgin and Child

306. Follower of Fernando Yañez de la Almedina

The Virgin and Child

307. Florentine School, circa 1520

The Creation of Eve

308. Florentine School, mid-16th century

The Virgin and Child with the Infant Saint John the Baptist

309. Michele Tosini, called Michele di Ridolfo del Ghirlandaio

The Virgin and Child with the young Saint John the Baptist

310. After Sebastiano del Piombo

Portrait of Ferry Carondelet (1473–1528) with his Secretaries

311. Follower of Luca Cambiaso

The Annunciation

312. Follower of Paolo Caliari, called Paolo Veronese

The Flagellation

313. Workshop of Jacopo da Ponte, called Jacopo Bassano

The Crucifixion

314. Francesco Montemezzano

Portrait of a lady, traditionally identified as Rita Bellesi, three-quarter length, wearing elaborate Venetian dress, standing beside a table, a villa beyond

315. Circle of Giuseppe Porta, called Salviati

Venus and Adonis with Amor

316. Benedetto Caliari

The Finding of Moses

317. North Italian School, 17th Century

Portrait of a young woman, bust length, wearing an embroidered coat and a pearl necklace and headpiece

318. After Lucas Cranach the Elder

Portrait of Martin Luther (1483–1546)

319. South German School, 16th Century

Portrait of a lady, half length, wearing black with a white headdress, holding a rosary

320. After Hans Holbein the Elder

God the Father, Christ and the Virgin Mary with donors

321. Nicolas Neufchatel

Portrait of a lady, possibly Margaretha Mertha, wife of Hendrik Pilgram, three-quarter length, wearing black with gold chains

322. Bavarian School, 17th century

Judith with the head of Holofernes, the battle between the Assyrians and the Israelites at Bethulia beyond

323. Circle of Georg Hinz

Still life with a façon-de-Venise serpent-stemmed wine glass, a silver vessel, a block of sugar and lemons on a pewter plate, all on a draped table

324. South Netherlandish School, 16th century

The Virgin in Prayer

325. Antwerp School, circa 1610–30

Saint Jerome in his study, with the lion

326. Workshop of Joos de Momper

An extensive river landscape with peasants and horsemen in the foreground

327. Joseph van Bredael

A village scene with travellers by a windmill

328. Follower of Jan Brueghel the Elder

View of a riverside village with figures dancing in the foreground

329. Pseudo-Jan van Kessel II

Still life with a fruit basket and a Ming bowl on a table

330. Circle of Robert Peake

Portrait of a lady, three-quarter length, wearing an embroidered waistcoat, with lace collar and cuffs

331. Edward Bower

Portrait of a lady, half-length, in an orange striped dress with a lace collar and red and white bows

332. Attributed to Robert Walker

Portrait of a gentleman, half length, in black with a white collar and cuff

333. Follower of Sir Godfrey Kneller, Bt.

Portrait of a lady, bust-length

334. Studio of Sir Peter Lely

Portrait of Princess Isabella Stuart (1676–1681), full-length, seated beside a lamb, in a wooded landscape

335. Circle of Sir Peter Lely

Portrait of Charles, 3rd Marquess of Tweeddale (1667–1715), and his brother, Lord John Hay (c. 1668–1706), both full-length, the former wearing a pink dress with a blue sash, holding a basket of cherries

336. Studio of Sir Peter Lely

Portrait of James II (1633–1701), when Duke of York, full-length, wearing the Collar and Great George of the Order of the Garter

337. Jan van Huchtenburg

John Churchill, 1st Duke of Marlborough (1650–1722) and Prince Eugene of Savoy (1663–1736), on horseback at the Battle of Blenheim (Hochstedt)

338. Adriaen Hanneman

Portrait of a gentleman, half-length, wearing black and holding a letter

339. Follower of Sir Anthony van Dyck

Self portrait with a sunflower

340. Workshop of Sir Peter Paul Rubens

Sketch of a kneeling man, the Prodigal Son

341. Follower of Sir Peter Paul Rubens

Study for a woman's head

342. Circle of Sir Anthony van Dyck

Head of a woman, probably the Virgin

343. Follower of Sir Peter Paul Rubens

The Flight of Cloelia

344. After Sir Peter Paul Rubens

Thetis receiving the Armour of Achilles from Vulcan

345. Gonzales Coques

Portrait of a gentleman, three-quarter length, holding a medallion

346. Attributed to Frans Snyders

A female merchant holding a cockerel, with game, asparagus, artichokes, utensils and a bowl of wild strawberries

347. Workshop of David Teniers the Younger

Tavern interior with men at a hearth

348. Circle of David Teniers the Younger

Tavern interior with peasants eating in the background