28 April 2021•14:00 BST
•London
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301. Florentine School, late 14th Century
A triptych: The Virgin and Child with Saints Dominic and Francis (central panel); The Flagellation and the Resurrection (left wing); The Crucifixion (right wing)
302. Florentine School, early 15th Century
The Virgin and Child with four saints
303. Francesco Signorelli
The Adoration of the Shepherds
304. Hispano-Flemish, probably Castillian, 16th century
Saints Valentine and Egidius
305. Hispano-Flemish School, circa 1580
The Virgin and Child
306. Follower of Fernando Yañez de la Almedina
The Virgin and Child
307. Florentine School, circa 1520
The Creation of Eve
308. Florentine School, mid-16th century
The Virgin and Child with the Infant Saint John the Baptist
309. Michele Tosini, called Michele di Ridolfo del Ghirlandaio
The Virgin and Child with the young Saint John the Baptist
310. After Sebastiano del Piombo
Portrait of Ferry Carondelet (1473–1528) with his Secretaries
311. Follower of Luca Cambiaso
The Annunciation
312. Follower of Paolo Caliari, called Paolo Veronese
The Flagellation
313. Workshop of Jacopo da Ponte, called Jacopo Bassano
The Crucifixion
314. Francesco Montemezzano
Portrait of a lady, traditionally identified as Rita Bellesi, three-quarter length, wearing elaborate Venetian dress, standing beside a table, a villa beyond
315. Circle of Giuseppe Porta, called Salviati
Venus and Adonis with Amor
316. Benedetto Caliari
The Finding of Moses
317. North Italian School, 17th Century
Portrait of a young woman, bust length, wearing an embroidered coat and a pearl necklace and headpiece
318. After Lucas Cranach the Elder
Portrait of Martin Luther (1483–1546)
319. South German School, 16th Century
Portrait of a lady, half length, wearing black with a white headdress, holding a rosary
320. After Hans Holbein the Elder
God the Father, Christ and the Virgin Mary with donors
321. Nicolas Neufchatel
Portrait of a lady, possibly Margaretha Mertha, wife of Hendrik Pilgram, three-quarter length, wearing black with gold chains
322. Bavarian School, 17th century
Judith with the head of Holofernes, the battle between the Assyrians and the Israelites at Bethulia beyond
323. Circle of Georg Hinz
Still life with a façon-de-Venise serpent-stemmed wine glass, a silver vessel, a block of sugar and lemons on a pewter plate, all on a draped table
324. South Netherlandish School, 16th century
The Virgin in Prayer
325. Antwerp School, circa 1610–30
Saint Jerome in his study, with the lion
326. Workshop of Joos de Momper
An extensive river landscape with peasants and horsemen in the foreground
327. Joseph van Bredael
A village scene with travellers by a windmill
328. Follower of Jan Brueghel the Elder
View of a riverside village with figures dancing in the foreground
329. Pseudo-Jan van Kessel II
Still life with a fruit basket and a Ming bowl on a table
330. Circle of Robert Peake
Portrait of a lady, three-quarter length, wearing an embroidered waistcoat, with lace collar and cuffs
331. Edward Bower
Portrait of a lady, half-length, in an orange striped dress with a lace collar and red and white bows
332. Attributed to Robert Walker
Portrait of a gentleman, half length, in black with a white collar and cuff
333. Follower of Sir Godfrey Kneller, Bt.
Portrait of a lady, bust-length
334. Studio of Sir Peter Lely
Portrait of Princess Isabella Stuart (1676–1681), full-length, seated beside a lamb, in a wooded landscape
335. Circle of Sir Peter Lely
Portrait of Charles, 3rd Marquess of Tweeddale (1667–1715), and his brother, Lord John Hay (c. 1668–1706), both full-length, the former wearing a pink dress with a blue sash, holding a basket of cherries
336. Studio of Sir Peter Lely
Portrait of James II (1633–1701), when Duke of York, full-length, wearing the Collar and Great George of the Order of the Garter
337. Jan van Huchtenburg
John Churchill, 1st Duke of Marlborough (1650–1722) and Prince Eugene of Savoy (1663–1736), on horseback at the Battle of Blenheim (Hochstedt)
338. Adriaen Hanneman
Portrait of a gentleman, half-length, wearing black and holding a letter
339. Follower of Sir Anthony van Dyck
Self portrait with a sunflower
340. Workshop of Sir Peter Paul Rubens
Sketch of a kneeling man, the Prodigal Son
341. Follower of Sir Peter Paul Rubens
Study for a woman's head
342. Circle of Sir Anthony van Dyck
Head of a woman, probably the Virgin
343. Follower of Sir Peter Paul Rubens
The Flight of Cloelia
344. After Sir Peter Paul Rubens
Thetis receiving the Armour of Achilles from Vulcan
345. Gonzales Coques
Portrait of a gentleman, three-quarter length, holding a medallion
346. Attributed to Frans Snyders
A female merchant holding a cockerel, with game, asparagus, artichokes, utensils and a bowl of wild strawberries
347. Workshop of David Teniers the Younger
Tavern interior with men at a hearth
348. Circle of David Teniers the Younger
Tavern interior with peasants eating in the background