Modern Evening Auction

Modern Evening Auction

View full screen - View 1 of Lot 25. Vigil .

Property of a Private Dutch Collector

Lee Krasner

Vigil

Auction Closed

November 17, 02:14 AM GMT

Estimate

4,500,000 - 6,500,000 USD

Lot Details

Description

Property of a Private Dutch Collector

Lee Krasner

1908 - 1984

Vigil

荷蘭私人收藏

李・克拉斯納

《守夜》


signed Lee Krasner and dated ’60 lower right; signed Lee Krasner, titled, and dated 1960 (on the stretcher)

oil on canvas

88 ¾ by 70 in. 225.4 by 177.8 cm.

Executed in 1960.

款識:藝術家簽名Lee Krasner並紀年'60(右下);簽名Lee Krasner、書題目並紀年1960(內框)

油彩畫布

88 3/4 x 70 英寸;225.4 x 177.8 公分

1960年作

Pollock-Krasner Foundation, New York

Paul Kasmin Gallery, New York

Acquired from the above by the present owner

波拉克-克拉斯納基金會,紐約

保羅・卡斯敏畫廊,紐約

現藏家購自上述畫廊

Emily Genauer, “Artists Turning to Dark Myths,” NY Herald Tribune, 20 November 1960, p. 21

Exh. Cat., New York, The Pace Gallery, Lee Krasner: Paintings, 1959-1962, 1979, n.p.

Exh. Cat., New York, Robert Miller Gallery, Lee Krasner: Umber Paintings, 1959-1962, 1993, p. 6, and no. 12, pp. 34-35, illustrated in color

Robert Hobbs, Lee Krasner, New York, 1993, p. 74 (text)

Ellen Landau, Lee Krasner: A Catalogue Raisonné, New York, 1995, no. 352, p. 188, illustrated in color; pp. 182 and 231 (text); and p. 315, illustrated (installed in the exhibition Recent Paintings by Lee Krasner, Howard Wise Gallery, New York, 1962)

Gail Levin, Lee Krasner: A Biography, New York, 2011, pp. 350, 541 and front cover, illustrated

Gail Levin, “Jackson Pollock, Lee Krasner, and a New Concept of Nature,” in Nakama Yuko, Ed., Perception of Nature–Construction of Landscape, Global Perspectives, Tokyo, 2014, p. 261, fig. 11, illustrated

Exh. Cat., New York, Paul Kasmin Gallery, Lee Krasner: The Umber Paintings: 1959-1962, 2017–2018, pp. 48-49, illustrated in color, and p. 66, illustrated (installed in the exhibition Recent Paintings by Lee Krasner, Howard Wise Gallery, New York, 1962)

Exh. Cat., London, Barbican (and traveling), Lee Krasner: Living Color, 2019-2020, p. 18, illustrated (installed in the artist's studio, 1962)

艾米莉・格瑙爾,〈轉投黑暗神話的藝術家〉,《紐約先驅論壇報》,1960年11月20日,頁21

展覽圖錄,紐約,佩斯畫廊,《李・克拉斯納:1959-1962年繪畫》,1979年,無頁數

展覽圖錄,紐約,羅伯特・米勒畫廊,《李・克拉斯納:1959-1962年棕色繪畫》,1993年,頁6,品號12;頁34-35,載彩圖

羅伯特・賀布思,《李・克拉斯納》,紐約,1993年,頁74(內文)

艾倫・蘭鐸,《李・克拉斯納:專題目錄》,紐約,1995年,品號352,頁188,載彩圖;頁182及231(內文);頁315,載圖(1962年紐約霍華德・懷斯畫廊「李・克拉斯納繪畫近作」展覽現場)

嘉兒・萊文,《李・克拉斯納傳》,紐約,2011年,頁350、541及封面,載圖

嘉兒・萊文,〈傑克森・波拉克、李・克拉斯納與新自然概念〉,載於仲間裕子(編),《自然の知覚 — 風景の構築,Global Perspectives》,東京,2014年,頁261,圖11

展覽圖錄,紐約,保羅・卡斯敏畫廊,《李・克拉斯納:1959-1962年棕色繪畫》,2017-2018年,頁48-49,載彩圖;頁66,載圖(1962年紐約霍華德・懷斯畫廊「李・克拉斯納繪畫近作」展覽現場)

展覽圖錄,倫敦,巴比肯藝術中心(及巡展),《李・克拉斯納:鮮活的色彩》,2019-2020年,頁18,載圖(1962年攝於藝術家的工作室)