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34

Alfred Sisley

Jour de brouillard sur la Seine, Saint-Mammès

Guaranteed PropertyIrrevocable Bids

Estimate:

1,500,000 - 2,500,000 USD

Property From an Important Private American Collection

Alfred Sisley

Alfred Sisley

Jour de brouillard sur la Seine, Saint-Mammès

Jour de brouillard sur la Seine, Saint-Mammès

Estimate:

1,500,000 - 2,500,000 USD

Lot sold:

2,016,500

USD

Authenticity guarantee

What is guaranteed?

Property From an Important Private American Collection

Alfred Sisley

1839 - 1899

Jour de brouillard sur la Seine, Saint-Mammès

重要美國私人收藏

阿爾弗雷德・希斯里

《塞納河的陰天,聖馬梅斯》


signed Sisley (lower right)

oil on canvas

21½ by 29⅛ in. 54.5 by 74 cm.

Executed circa 1880.

款識:藝術家簽名Sisley(右下)

油彩畫布

21 1/2 x 29 1/8 英寸

54.5 x 74 公分

To request a condition report for this lot, please contact Julian.Dawes@sothebys.com.

Please note there is an Irrevocable Bid on this lot.

Durand-Ruel, Paris (acquired from the artist on 28 October 1880)

Durand-Ruel, New York (acquired from the above and until at least 1889)

Hanna Marcy Edwards, Boston (acquired from the above)

Grace M. Edwards, Boston (acquired by descent from her sister, the above, in 1929)

Museum of Fine Arts, Boston (acquired as a bequest of Hanna Marcy Edwards & Grace M. Edwards in honor of their mother Juliana Cheney Edwards on 11 October 1939)

Sotheby's New York, 2 November 2011, lot 13 (consigned by the above)

Acquired at the above sale by the present owner

杜杭・胡埃畫廊,巴黎(1880年10月28日購自藝術家)

杜杭・胡埃畫廊,紐約(購自上述畫廊,至少收藏至1889年)

漢娜・瑪西・愛德華茲,波士頓(購自上述畫廊)

格蕾絲・M・愛德華茲,波士頓(1929年家族傳承自其姐妹,即上述藏家)

美術館,波士頓(由漢娜・瑪西・愛德華茲及格蕾絲・M・愛德華茲於1939年10月11日遺贈,以紀念其母親朱莉安娜・切尼・愛德華茲)

紐約蘇富比,2011年11月2日,拍品編號13(經上述機構委託)

現藏家購自上述拍賣

La Fare "Exposition des Impressionnistes," Le Gaulois, 2 March 1882

Arthur Hustin, "L'Exposition des peintres indépendants," L'Estafette, 3 March 1882

Jean de Nivelle (Charles Canivet), Le Soleil, 4 March 1882

Henri Rivière, "Aux indépendants," Le Chat Noir, 8 April 1882

Joris-Karl Huysmans, L'Art moderne, 1883

Bulletin of the Museum of Fine Arts, Boston, 1939-40, Vol. 37, p. 110, no. 54, p. 107, illustrated (titled St. Mammès, a Grey Day)

"Great Edwards Collection Given to Boston," Art Digest, New York, 15 December 1939, Vol. 14, p. 6, illustrated (titled St. Mammès, a Grey Day)

Summary Catalogue of European Paintings in Oil, Tempera and Pastel, Museum of Fine Arts, Boston, 1955, no. 280, p. 61 (titled St. Mammès, a Grey Day)

François Daulte, Alfred Sisley, Catalogue raisonné de l'oeuvre peint, 1959, no. 374, n.p., illustrated (titled Jour de brouillard à Saint-Mammès)

Jacques Lassaigne, Sisley, 1983, no. 10, p. 14, illustrated

Alexandra R. Murphy, European Paintings in the Museum of Fine Arts, Boston, Medford, 1985, p. 264, illustrated (titled Overcast Day at Saint-Mammès)

George T. M. Shackleford & Fronia E. Wissmann, Impressions of Light, The French Landscape from Corot to Monet, Boston, 2002, illustrated in color p. 27

Exh. Cat. Giverny, Musée des Impressionismes, L'Impressionnisme au fil de la Seine, Milan, 2010, pp. 29, 36, p. 28, detail illustrated in color, p. 37, illustrated in color

Sylvie Brame & François Lorenceau, Alfred Sisley, Paris, 2021, no. 421, pp. 178 & 455 illustrated in color 

拉法爾,〈印象派展覽〉,《高盧》,1882年3月2日

阿瑟・赫斯汀,〈獨立畫家展〉,《信使》,1882年3月3日

讓・德・尼維爾(查爾斯・卡尼維),《太陽日報》,1882年3月4日

亨利・里維埃,〈獨立藝術家〉,《黑貓》,1882年4月8日

約里斯・卡爾・海斯曼,〈現代藝術〉,1883年

《美術館公報》,波士頓,1939-40年,第37冊,頁110,品號54,頁107,載圖(題為《聖馬梅斯,陰天》)

〈贈予波士頓的愛德華茲典藏〉,《藝術文摘》,紐約,1939年12月15日,第14冊,頁6,載圖(題為《聖馬梅斯,陰天》)

《歐洲油畫、蛋彩畫和粉彩畫總目錄》,美術館,波士頓,1955年,品號280,頁61(題為《聖馬梅斯,陰天》)

弗朗索瓦・杜特,《阿爾弗雷德・希斯里:繪畫專題目錄》,1959年,品號374,無頁數,載圖(題為《聖馬梅斯的陰天》)

雅克・拉賽涅,《希斯里》,1983年,品號10,頁14,載圖

亞歷山德拉・R・墨菲,《波士頓美術館的歐洲油畫》,梅德福,1985年,頁264,載圖(題為《聖馬梅斯的陰天》)

喬治・T・M・沙克爾福德及弗洛尼亞・E・維斯曼,《光之印象,從柯羅到莫奈的法國風景》,波士頓,2002年,頁27載彩圖

展覽圖錄,吉維尼,印象派博物館,《塞納河畔的印象派》,米蘭,2010年,頁29、36,頁28,局部載彩圖,頁37,載彩圖

西爾維・布拉姆及弗朗索瓦・洛倫索,《阿爾弗雷德・希斯里》,巴黎,2021年,品號421,頁178及455,載彩圖

Paris, 251 rue Saint-Honoré, Septième Exposition des Artistes indépendants, 1882, no. 169

(probably) Paris, Galerie Durand-Ruel, Monet, Pissarro, Renoir, Sisley, 1899, no. 137 (titled La Rue du Bord-de-l'Eau, à Saint-Mammès and dated 1878)

(probably) London, Grafton Galleries, Paintings by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, 1905, no. 292 (titled The rue du bord de l'eau at Saint-Mammès-Dull Weather)

Boston, The Museum of Fine Arts, The Juliana Cheney Edwards Collection, 1939-40, no. 54, illustrated 

New London, Lyman Allen Museum, Connecticut College & Pittsfield, The Berkshire Museum, 1945-46

Providence, Rhode Island School of Design, Paris: Many Happy Returns!, 1951, n.n., n.p. (titled Saint-Mammès, A Grey Day)

Atlanta, The High Museum of Art & The Denver Art Museum, Corot to Braque: French Paintings from the Museum of Fine Arts, Boston, 1979-80, no. 40, p. 80, p. 79, illustrated in color 

Washington, D.C., National Gallery of Art & San Francisco, Museum of Fine Art, The New Painting, Impressionism, 1986, no. 135, p. 418, illustrated in color (titled Saint-Mammès, temps gris)

Springfield, Museum of Fine Arts, Lasting Impressions: French and American Impressionism from New England Museums, 1988, no. 23, p. 40, illustrated 

Kyoto, Municipal Museum of Art; Sapporo, Hokkaido Museum of Modern Art & Yokohama, Sogo Museum of Art, From Neoclassicism to Impressionism: French Art from the Museum of Fine Arts, Boston, 1989, no. 65, p. 104, illustrated in color and pp. 169-70, catalogued (titled Overcast Day at Saint-Mammes)

Nagoya, Matsuzakaya Art Museum; Nara, Prefectural Museum & Hiroshima, Museum of Art, The World of Impressionism and Pleinairism, 1991, no. 19, n.p., illustrated in color (titled Overcast Day at Saint-Mammes)

Tokyo, Bunkamura Museum of Art & Kobe, Hyogo Prefectural Museum of Modern Art, Monet and His Contemporaries: Masterpieces from the Museum of Fine Arts, Boston, 1992-93

Copenhagen, Ordrupgaard Museum for French Impressionism, Impressionists in Town, 1996, no. 38, pl. 36, illustrated in color (titled Saint-Mammès, Overcast)

Nagoya, Matsuzakaya Art Museum, Monet, Renoir and the Impressionist Landscape, 1999, no. 34, p. 101, illustrated in color

Ottawa, National Gallery of Canada; Richmond, Virginia Museum of Fine Arts & Houston, Museum of Fine Arts, Monet, Renoir and the Impressionist Landscape, 2000-01, no. 37, p. 94, p. 95, illustrated in color, p. 184, illustrated and catalogued (titled Overcast Day Saint-Mammès)

Dublin, National Gallery of Ireland, Monet, Renoir and the Impressionist Landscape, 2002, no. 37, p. 93

Las Vegas, Bellagio Gallery of Fine Art, Claude Monet: Impressions of Light, 2004-05

Passariano di Codroipo, Villa Manin, L'Età de Courbet e Monet, La diffusione del realismo e dell'impressionismo nell'Europa centrale e orientale, 2009-10, no. 111, p. 105, illustrated in color, p. 320 illustrated and catalogued 

Tokyo, Mori Arts Center Gallery & Kyoto, Municipal Museum of Art, European Masterpieces from the Museum of Fine Arts, Boston, 2010 

巴黎,聖奧諾雷街 251 號,「第七屆獨立藝術家展」,1882年,品號169

(應為)巴黎,杜杭・胡埃畫廊,「莫內、畢沙羅、雷諾瓦及希斯里」,1899年,品號137(題為《河畔街,聖馬梅斯》並紀年1878)

(應為)倫敦,格拉夫頓畫廊,「布丹、塞尚、德加、馬奈、莫內、莫里索、畢沙羅、雷諾瓦及希斯里」,1905年,品號292(題為《聖馬梅斯河畔街的陰沉天氣》)

波士頓,美術館,「朱莉安娜・切尼・愛德華茲典藏」,1939-40年,品號54,載圖

新倫敦,萊曼・艾倫博物館,康涅狄格學院及皮茨菲爾德,伯克郡博物館,1945-46年

普羅維登斯,羅德島設計學院,「巴黎:生日快樂!」,1951年,無品號,無頁數(題為《聖馬梅斯的陰天》)

斯普林菲爾德,美術館,「持久印象:新英格蘭博物館的法國及美國印象派」,1988年,品號23,頁40,載圖

京都,市立美術館;札幌市,北海道立近代美術館及橫濱,千葉Sogo美術館,「從新古典主義到印象派:波士頓美術博物館的法國藝術」,1989年,品號65,頁104,載彩圖及頁169-70,收錄(題為《聖馬梅斯的陰天》)

名古屋,松坂屋美術館;奈良,縣立博物館及廣島,美術館,「印象派及外光主義的世界」,1991年,品號19,無頁數,載彩圖(題為《聖馬梅斯的陰天》)

東京,Bunkamura美術館及神戶,兵庫縣立美術館,「莫內與同期藝術家:波士頓美術館大師之作」,1992-93年

哥本哈根,奧德羅普格園林博物館,「印象派在城中」,1996年,品號38,圖版36,載彩圖(題為《聖馬梅斯,陰天》)

名古屋,松坂屋美術館,「莫內、雷諾瓦與印象派風景」,1999年,品號34,頁101,載彩圖

渥太華,加拿大國家美術館;里士滿,維吉尼亞美術館及休士頓,美術館,「莫內、雷諾瓦與印象派風景」,2001-01年,品號37,頁94,頁95,載彩圖,頁184,載圖及收錄(題為《聖馬梅斯的陰天》)

都柏林,愛爾蘭國家美術館,「莫內、雷諾瓦與印象派風景」,2002年,品號37,頁93

拉斯維加斯,百樂宮美術館,「克勞德・莫內:光之印象」,2004-05

帕薩里亞諾・迪・科德羅伊波,馬寧別墅,「庫爾貝及莫奈的時代:現實主義與印象主義在中東歐的傳播」,2009-10年,品號111,頁105,載彩圖,頁320,載圖及收錄

東京,森藝術中心畫廊及京都,市立美術館,「波士頓美術館的歐洲大師傑作」,2010年