Modern Day Auction

Modern Day Auction

View full screen - View 1 of Lot 355. Portrait de la mère de l'artiste au bouquet.

Property from an Important Estate

Albert Marquet

Portrait de la mère de l'artiste au bouquet

Auction Closed

November 17, 10:26 PM GMT

Estimate

70,000 - 100,000 USD

Lot Details

Description

Property from an Important Estate

Albert Marquet

1875 - 1947

Portrait de la mère de l'artiste au bouquet


signed Marquet (lower right) 

oil on canvas

25⅝ by 21¼ in.

65 by 54 cm.

Executed circa 1898.


This work is accompanied by an Attestation of Inclusion from the Wildenstein Institute, and it will be included in the forthcoming Marquet Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

Marcelle Marquet, France
Jean-Claude Martinet, France (by descent from the above)
Galerie Hopkins Custot, Paris
Acquired from the above in 2005 by the present owner
Very little is known about Marquet’s early life, however much can be inferred from this portrait of his mother, painted eight years after he moved to Paris to study at the École des arts decoratifs. Far from a sentimental rendering, the distant composition implies a cold upbringing. The sitter’s impassive expression is hard to read, yet there is a palpable poignancy in her gaze. Marquet was clearly fascinated with his mother as subject and would return to her many times throughout his career. The strong Fauvist hues are characteristic of Marquet’s early works and hearken to the artist’s close friendship with Henri Matisse and the influence of peers such as André Derain, Maurice de Vlaminck and Raoul Dufy. However, Marquet worked in a style uniquely his own, “preferring his own intuition, and developing a style which owed something to the compositions of Fauvism and the sensatory researches of Impressionism, but which was really and truly his own. Cubism and abstract art seem to have totally passed him by” (David F. Setford, From Fauvism to Impressionism: Albert Marquet (exhibition catalogue), Centre Georges Pompidou, Paris, 2001-02, p. 6)