View full screen - View 1 of Lot 519. Landscape with swans near a waterfall.
519

Roelandt Savery

Landscape with swans near a waterfall

Estimate:

30,000

to
- 50,000 USD

Property from the Estate of Paul Kasmin

Roelandt Savery

Roelandt Savery

Landscape with swans near a waterfall

Landscape with swans near a waterfall

Estimate:

30,000

to
- 50,000 USD

Lot sold:

107,100

USD

Property from the Estate of Paul Kasmin

Roelandt Savery

Kortrijk 1576 - 1639 Utrecht

Landscape with swans near a waterfall


signed lower left, on rock: ROELANDT SAVERY FE

oil on panel

panel: 12 3/8 by 15 5/8 in.; 31.4 by 39.7 cm.

framed: 17 1/4 by 20 1/4 in.; 43.8 by 51.4 cm. 

This painting is in overall good state, with a slightly dirty surface, and slightly glossy varnish. The detail of the various birds and landscape and falling water is quite well retained, and the block letters of the signature at lower left still very strong and legible. The panel itself is uncradled, beveled unevenly on the reverse. Under UV: there are some small scattered touches visible under uv. As typical with pictures of this type, there are some small touches along some grain of the panel upper left, in the sky. These are cosmetic in nature. Similarly, there are a few touches scattered in the two main swans, dots here and there. None of these are unexpected or concerning. This picture would probably improve with a freshened varnish, but can also be hung as is. Offered in a modern light brown wooden molding frame, with an inner wooden slip.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Comtesse Cavers, before 1923;
From whom purchased by Galerie J. & A. Le Roy Frères, Brussels, 1923;
Jules and Jean Lalière, Namur, by 1967, inv. no. 33;
With De Jonckheere, Paris, by 1996;
From whom acquired by the previous owner, May 1996;
By whom sold, New York, Sotheby's, 31 January 2019, lot 215;
There acquired by Paul Kasmin. 
K.J. Müllenmeister, Roelant Savery: Die Gemälde mit kritischem Oeuvrekatalog, Freren 1988, p. 263, no. 143A (taken with reservation due to insufficient photos and information).

Renowned landscape and animal painter Roelandt Savery earned the attention of Emperor Rudolf II and worked for his court in Prague between 1603-1613, where he studied Rudolf's menagerie and hunting grounds. The Emperor also sent Savery on an expedition to Tyrol in 1606-07, where the artist studied mountains and waterfalls that inspired later paintings, including the present. Despite the naturalistic details inspired by Savery's observations of real birds and landscape elements, this composition is almost certainly imagined. The active, Mannerist composition and inclusion of exotic flora and fauna appealed to Savery's courtly patrons in Prague as well as to his Dutch contemporaries.


Swans appear in several of Savery's works, although groupings of exotic birds form many species, presented as if coexisting peacefully in a bird's paradise, are better known.1 This painting depicts a more realistic view of swans gathered around their nest, squabbling and grooming, with two ducks approaching to drink from the stream, and a crane diving toward the nest. Savery has evoked the noise and movement of the birds jostling with their open mouths and the stray feathers floating into the air and onto the surface of the water.


1. See for example: Landscape with birds, 1628, Kunsthistorisches Museum, Vienna, inv. no. 1082.