Follower of Frans van Mieris the Elder
A lady and her maid in an interior
Property from the Collection of the Memorial Art Gallery, Rochester, New York, Sold Without Reserve
Follower of Frans van Mieris the Elder
A lady and her maid in an interior
oil on panel, marouflaged
panel: 12 ¼ by 9 ½ in.; 31.1 by 24.1 cm.
framed: 18 ⅛ by 15 ¼ in.; 46 by 38.7 cm.
The original panel has been thin and marouflaged to another modern panel. it is cradled, stable, and planar. The painted surface reads well beneath an old varnish. The colors remain vibrant and the details, particularly those of the figures, well-preserved. The vertical wood grain is faintly visible to the eye in some parts. There are some small and old retouched losses near the lower edge, and there is some frame abrasion along the left edge. Some of the darker details in the background have lost some definition with age. Inspection under UV reveals a thick and milky varnish. Only a few more recent scattered restorations are visible, one in the upper left background, a few in the red fabric at lower right, and some strokes to attend to the lower left corner. No spots fluoresce on the figures or their costumes. Offered in a decoratively carved gilt frame with some nicks and losses.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Abbé de Gévigny, his sale, Paris, A.J. Paillet, 1 December 1779, lot 359 (as Frans van Mieris);
Vincent Donjeux, his sale, Paris, Lebrun et Paillet, 29 April 1793, lot 259 (as Frans van Mieris);
E.M. Engelberts, his sale, Amsterdam, Philippe van der Schley, 25 August 1817, lot 56 (to Coclers);
Jan Bleuland, his sale, Utrecht, Lamme, 6 May 1839, lot 215 (as F. van Mieris, to Burton);
Frau von Mutius, née von Mecklenburg, Berlin, by 1883;
With J. Porgès, Paris;
With Dr. Wendland, Basel;
Anonymous sale, Lucerne, Fischer, 27 July 1926, lot 164 (as Frans van Mieris the Elder, and as accepted by Hofstede de Groot);
With Ehrich Galleries, New York, by 1930;
Whitelaw Reid;
His sale, New York, American Art Association, 14-18 May 1935, lot 1126 (as Frans van Mieris the Elder);
Bertha Buswell;
Thence by bequest to the Memorial Art Gallery, Rochester, New York, 1955 (inv. no. 1955.68).
O. Naumann, Frans van Mieris the Elder, Groningen 1981, vol. II, p. 150, cat. no. C47 (under rejected attributions, and possibly by Frans van Mieris the Younger).