View full screen - View 1 of Lot 171. Louis Comfort Tiffany | Gold, Opal Demantoid Garnet and Colored Stone 'Medusa' Pendant-Necklace  路易·康福特·蒂芙尼 黃金鑲蛋白石及翠榴石「Medusa」吊墜項鏈.
171

Louis Comfort Tiffany | Gold, Opal Demantoid Garnet and Colored Stone 'Medusa' Pendant-Necklace 路易·康福特·蒂芙尼 黃金鑲蛋白石及翠榴石「Medusa」吊墜項鏈

Estimate:

100,000 to - 200,000 USD

Property from the Schocken Family Collection

Louis Comfort Tiffany | Gold, Opal Demantoid Garnet and Colored Stone 'Medusa' Pendant-Necklace 路易·康福特·蒂芙尼 黃金鑲蛋白石及翠榴石「Medusa」吊墜項鏈

Louis Comfort Tiffany | Gold, Opal Demantoid Garnet and Colored Stone 'Medusa' Pendant-Necklace 路易·康福特·蒂芙尼 黃金鑲蛋白石及翠榴石「Medusa」吊墜項鏈

Estimate:

100,000 to - 200,000 USD

Bid:

70,000

USD

Live auction begins in:

Live auction begins in:

2 days, 13 hours

2 days, 13 hours

Property from the Schocken Family Collection

Louis Comfort Tiffany | Gold, Opal, Demantoid Garnet and Colored Stone 'Medusa' Pendant-Necklace


Centering a cluster of tumbled opals, from which several stylized snake motifs emerge, the two side motifs articulated, the coiled tendrils further set with opals and round demantoid garnets, accented by colored gemstones including rubies and amethysts, length 15 inches, signed Louis C. Tiffany artist; circa 1904, numerous small gemstones deficient.

In fair condition, the mounting showings signs of age and wear including scratches, nicks and small dents, a few small cracks, evidence of repair and solder, and several gemstones missing with many of the settings filled in with aged adhesive; would benefit from repair and restoration by a skilled jeweler. Mounting tests as 18 karat gold. The opals with wear to the surfaces commensurate with age, most with play-of-color in predominant hues of green and blue, the central opal with flashes of red and orange. The demantoid garnets of vivid green hue, many with abrasions and chips commensurate with wear. According a November 1906 article in International Studio discussing the American showing at the Paris Fair, the gemstones used for the medusa include opals, opalines, sapphires, demantoids and rubies. This article is cited by Alice Cooney Frelinghuysen in her discussion of the piece in “The Early Artistic Jewelry of Louis C. Tiffany”  Antiques Magazine (July 2002). Overall width of central element approximately 4¼ inches. Please note this piece dates to circa 1904, not circa 1900 as stated in the print catalogue, and that the chain my be a later addition.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.Certificates of Authenticity: Various manufacturers may not issue certificates of authenticity upon request. Sotheby's is not under an obligation to furnish the purchaser with a certificate of authenticity from the manufacturer at any time. Unless the requirements for a rescission of the sale under the Terms of Guarantee are satisfied, the failure of a manufacturer to issue a certificate will not constitute grounds to rescind the sale. Gemological Certificates and Reports: References in the catalogue descriptions to certificates or reports issued by gemological laboratories are provided only for the information of bidders, and Sotheby's does not guarantee and accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Please also note that laboratories may differ in their assessment of a gemstone (including its origin and presence, type and extent of treatments) and their certificates or reports may contain different results. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. (edited)

Please note that one or more of the cabochons framing the central opal may be pale blue sapphires, and one or more may be molded glass over opal. Please note this piece dates to circa 1904, not circa 1900 as stated in the print catalogue, and that the chain may be a later addition.

Created by Louis Comfort Tiffany between 1902 and 1904

Purchased by Henry Walters (1848-1931), probably in 1906

Given to his companion Mrs. Pembroke Jones (1859-1943), who in 1922 became Mrs. Henry Walters

Parke-Bernet Galleries, New York, “Art Collection of the Late Mrs. Henry Walters”, Nov. 30-Dec 4, 1943, lot 586

Acquired by Salman Schocken (1877-1959), who had left Germany in 1935 for New York and Israel

Given to his daughter-in-law Devora Schocken, and by descent in the family

Illustrated in The Art Work of Louis C. Tiffany by Louis Comfort Tiffany, page 30; The Jewelry and Enamels of Louis Comfort Tiffany by Janet Zapata, pages 84 and 90; Tiffany Jewels by John Loring, page 172; Louis Comfort Tiffany at Tiffany & Co. by John Loring, page 22; and Bejeweled by Tiffany: 1837-1987 by Clare Phillips, pages 67-69.

St. Louis World’s Fair (Louisiana Purchase Exposition), 1904, Tiffany & Co. display

Salon de la Société des Artistes Français, Paris, 1906