View full screen - View 1 of Lot 54. Tiffany & Co., designed in the Studio of Louis Comfort Tiffany | Sapphire and moonstone necklace, circa 1915.
54

Tiffany & Co.

Tiffany & Co., designed in the Studio of Louis Comfort Tiffany | Sapphire and moonstone necklace, circa 1915

From the collection of Lady Sarah Aspinall

Tiffany & Co.

Tiffany & Co.

Tiffany & Co., designed in the Studio of Louis Comfort Tiffany | Sapphire and moonstone necklace, circa 1915

Tiffany & Co., designed in the Studio of Louis Comfort Tiffany | Sapphire and moonstone necklace, circa 1915

Designed as a series of cabochon moonstones suspended within an openwork filigree curlicue surround, with a further row of circular-cut sapphires similarly-set, length approximately 403mm, signed Tiffany & Co.

The clasp is signed Tiffany & Co., engraved inventory number 9Z83ee0000. Light scratches are visible to the cabochons. Overall in good condition. Total gross weight approximately 56g.


Please note that Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.


The lot is sold in the condition it is in at the time of sale. The online condition report is provided to assist you with assessing the condition of the lot and is for guidance purposes only. The images of the lot also form part of the online condition report for the lot provided by Sotheby's. Any reference to condition in the online condition report does not amount to a full description of condition. The online condition report may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the online condition report of the lot or shown in the online images of the lot. The online condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the online condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's (for example, information regarding colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's). Please also note that we do not guarantee, and are not responsible for, any certificate from a gemological laboratory that may accompany the lot. In addition, certain images of the lot provided online may not accurately reflect the actual condition of the lot (for example, the online images may represent colours and shades which are different to the lot's actual colour and shades). For these reasons, the online condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the relevant section the Buying at Auction guide which includes important notices concerning the type of property in this sale. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Lady Sarah Aspinall (née Curzon), born in 1945, was the daughter of Francis Curzon, 5th Earl Howe (1884-1964), five times British motor racing champion and winner of Le Man and Mille Miglia. The world of motor sport was a consistent theme in her life when in 1966 she went onto marry the racing driver Piers Courage (1942-1970) with whom she had two children. Their wedding was a society highlight and is well remembered for the iconic image of Lady Aspinall with her veil being dramatically blown behind her in the wind. Sadly, Courage’s life prematurely came to an end in a devastating crash at the 1970 Dutch F1 Grand Prix, caused by an engine malfunction. Life continued with her second husband John Aspinall (1926-2000), zoo owner and gambling host, whom she met through parties hosted at Aspinall’s house, Howletts. Her marriage saw her care not only for her children but for the exotic animals populating Howletts and Port Lympne, his two zoos. Aspinall passed away in 2000 from cancer. The Aspinall Foundation continues his work in the promotion of wildlife conservation.