
Property from a New England Private Collection
Auction Closed
March 17, 08:20 PM GMT
Estimate
60,000 - 80,000 USD
Lot Details
Description
A pair of 'huanghuali' contininuous yokeback armchairs (Nanguanmaoyi)
17th century
十七世紀 黃花梨南官帽椅一對
each with an elegantly arched crestrail flattened in the center and curving down to join the slightly backward sloping rear posts, secured with huangtong strap metal mounts, continuing through the frame to form the back legs, and a matching well-figured wide rectangular slightly bowed splat tenoned to the underside of the yoke and into the back rail of the seat frame, the serpentine arms pipe-jointed to the shaped front posts, the rectangular seat frame, with molded edge, enclosing a soft-mat seat supported underneath by a pair of bowed stretchers, the legs joined by a beaded-edge crescent-form aprons and ascending height stretchers with protruding tenons, cushions (4)
Height 47 in., 119.4 cm; Width 23 ½ in., 59.7 cm; Depth 18 ¼ in., 46.4 cm
Grace Wu Bruce, Ltd., London, 2001.
來源
嘉木堂,倫敦,2001年
Ming Furniture: Rare Examples from the 16th and 17th Centuries, Grace Wu Bruce, London, 1999, cat. no. 11.
展覽
《Ming Furniture: Rare Examples from the 16th and 17th Centuries》,嘉木堂,倫敦,1999,編號11
The restrained lines and minimal decoration serve to heighten the statuesque proportions and rich luster of the wood. The timber chosen for its lively whorl patterns show huanghuali wood at its best. The continuous yokeback armchair is one of the most classic of the scholarly Ming forms; a similar armchair with shaped aprons is illustrated in Robert D. Jacobsen and Nicholas Grindley, Classical Chinese Furniture in the Minneapolis Institute of Arts, Minneapolis, 1999, pl. 9. In discussing the form, the authors conjecture that the inspiration for the continuous top and arm rails might be found in bent bamboo construction popular in the Song and Ming dynasties and cite an illustration of the Wanli period Kunqu opera The Tale of the Jade Hairpin showing a pair of speckled bamboo tall back chairs with continuous crestrails. In addition, pottery examples of this form were found in the tomb of Pan Yunzheng dated to 1589, op.cit., p. 52. A pair with inlaid decoration is illustrated in Nancy Berliner, Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries, Museum of Fine Arts, Boston, 1996, p. 111. For another similar chair, see Nicholas Grindley, Pure Form: Classical Chinese Furniture Vok Collection, Museum für Ostasiatische Kunst Köln, Munich, 2004, pl. 10.
A pair of similar form, from the Richard Fabian Collection, was sold in these rooms, 15th March 2016, lot 7; another from the collection of Dr. S.Y. Yip was sold in our Hong Kong rooms, 7th October 2015, lot 111; and a related pair with different aprons sold in these rooms, 15th March 2017, lot 581; and a single armchair with a straight front apron sold in these room, 12th September 2018, lot 259.