A finely painted blue and white lobed 'fruit and flower' bowl, Xuande mark and period | 明宣德 青花折枝花果紋葵口碗 《大明宣德年製》款
Property from a Canadian Private Collection
A finely painted blue and white lobed 'fruit and flower' bowl
Xuande mark and period
of conical form, well potted with the flaring sides rising from a slightly tapered foot to a six-lobed rim, finely painted in deep cobalt blue accentuated with characteristic 'heaping and piling', the interior centered with a medallion enclosing a flowering and fruiting peach branch, surrounded by three sprigs of lotus flowers alternating with sprays of tree peony, chrysanthemum, and herbaceous peony, all beneath a row of small floral sprigs at the rim, the exterior with six fruit sprays comprising peach, cherry, loquat, pomegranate, grape, and lychee, alternating with six small floral sprays below including camellia, chrysanthemum, lotus, rose, and peony, the foot encircled with a band of classic scroll, the base inscribed with a six-character reign mark, the cavetto with a later incised character reading yi (righteousness)
Diameter 9 in., 22.8 cm
In general good condition. The rim has three short restored hairline cracks, the longest measuring approx. 2.6 cm. Some expected minor firing imperfections and age-appropriate wear.
Because this lot was imported into the United States after September 1, 2020, it is subject to an import tariff of 7.5% of the value declared upon entry into the United States. $18,750, plus applicable sales tax will be included on your invoice unless you instruct Sotheby's to arrange shipping of the lot to a foreign address. For more information on the import tariff, please review the Symbol Key in the back of the catalogue. If you have any questions, please contact email@example.com.
由於本拍品在 2020年9月1日之後進口到美國，所以買家可能需就本拍品支付進口關稅，金額為拍品進口美國當時申報價值的7.5％。除非您要求蘇富比安排運送拍品到美國境外之地址，否則發票上將包括18,750美元以及相關的銷售稅。如欲查詢進口關稅的更多信息，請查閱目錄背面的附錄。 如有任何疑問，敬請聯繫tariffs@sothebys.com。
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In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Collection of a Canadian diplomat, acquired in Southeast Asia between the 1950s and 1970s.
Canadian Private Collection.
Fruit and flower sprays symbolizing prosperity were popular designs of the early Ming dynasty (1368-1644). Bowls of this lobed form appear to be specific to the Xuande reign (1426-1435) and became part of the classic repertoire of the official kilns. The shape is derived from conical bowls with six delicate rim lobes glazed in monochrome white, which had been produced at Jingdezhen during the Song dynasty (960-1279). Tailored to the imperial taste, products of the Xuande workshops were exquisitely finished and inscribed with the imperial reign mark. Bowls of this design continued to be admired throughout the Ming and Qing dynasties, as evidenced by later copies.
Closely related examples are well represented in museum collections around the world, for instance, two bowls preserved in the National Palace Museum, Taipei, included in the Museum’s exhibitions Ming Xuande ciqi tezhan mulu/Catalogue of a Special Exhibition of Hsuan-te Period Porcelain, Taipei, 1980, cat. no. 36, and Mingdai Xuande guanyao jinghua tezhan tulu/Catalogue of the Special Exhibition of Selected Hsüan-te Imperial Porcelains of the Ming Dynasty, Taipei, 1998, cat. no. 62; and one from the Qing Court Collection, now in the Palace Museum, Beijing, illustrated in Geng Baochang, ed., Gugong Bowuyuan cang Ming chu qinghua ci/Early Ming blue-and-white porcelain in the Palace Museum, vol. 2, Beijing, 2002, pl. 146, where the author notes that this design was frequently copied in the Kangxi (1662-1722) and Yongzheng (1723-1735) periods, and where a Xuande-marked copy attributed to the Kangxi reign is illustrated, pl. 179.
Compare also a bowl in the Asian Art Museum, San Francisco, (accession no. B60P2101) is illustrated in He Li, Chinese Ceramics, A New Comprehensive Survey, New York, 1996, fig. 403; and a pair in the National Museum of Asian Art, Washington, D.C., (accession nos F1952.16a-c and F1952.17a-b), illustrated in Thomas Lawton and Thomas W. Lentz, Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery, Washington, D.C., 1998, vol. 1, p. 253, fig. 2.
Bowls of this type in private collections include one sold in our London rooms, 24th March 1964, lot 98, now in the collection of Asia Society, New York, and illustrated in Denise Patry Leidy, Treasures of Asian Art: The Asia Society’s Mr. and Mrs. John D. Rockefeller 3rd Collection, New York, 1994, pl. 176; one formerly in the collections of President Herbert Hoover, and Ira and Nancy Koger, sold in our these rooms, 27th November 1990, lot 6; and another one illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London, 1994-2010, no. 671, formerly in the collections of K.L. Dawes, John F. Woodthorpe and Frederick M. Mayer, and sold in our Hong Kong rooms, 5th October 2011, lot 12; and most recently a bowl from an important American collection sold in these rooms, 15th March 2017, lot 7.