View full screen - View 1 of Lot 130. A pair of French neo-gothic silvered bronze seven-light lanterns, late 19th century, attributed to Emile Froment Meurice.
130

A pair of French neo-gothic silvered bronze seven-light lanterns, late 19th century, attributed to Emile Froment Meurice

UK: Greenford Park Warehouse

Estimate:

20,000

to
- 30,000 GBP

Property of a Private Collector

A pair of French neo-gothic silvered bronze seven-light lanterns, late 19th century, attributed to Emile Froment Meurice

A pair of French neo-gothic silvered bronze seven-light lanterns, late 19th century, attributed to Emile Froment Meurice

Estimate:

20,000

to
- 30,000 GBP

Property of a Private Collector

A pair of French neo-gothic silvered bronze seven-light lanterns

late 19th century, attributed to Emile Froment Meurice


with a crowned corona with three pillars sitting on a orb, linked with chains to the open lantern with a fleur-de-lis coronet, with gothic arches and foliated buttresses topped by birds, stamped FM

approx. 150cm. high, 62cm. wide; 4ft. 11in., 2ft. 3/8 in.

In overall good condition. Minor old marks and scratches consistent with age and use. Some bulbs missing. A few nozzles slightly wonky. One chimera figure is detached and would benefit from being re-attached. Formerly fitted for electricity. Sotheby's recommends the assistance of a professional for re-wiring.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Galerie Historismus, 19th and early 20th century Decorative Arts, cat., October 2007, pp.32-35.

These impressive lanterns are a testament to the revival in the 19th century of the Renaissance styles that extensively inspired designers and makers such as the talented Emile Froment-Meurice.


Emile Froment-Meurice (1837-1913) was the son of the talented and imaginative jeweler Francois-Désiré Froment-Meurice. After a long apprenticeship as a goldsmith within the family firm, but it was not, however, until the Exposition Universelle of 1867 that he finally came into his own with the creation of magnificent works of art as innovative yet fashionable as those of his father. He then extended the company's influence by collaborating in the design of exclusive pieces for the Parisian elite. Influenced by the French Renaissance, Emile employed a highly talented team of architects, sculptors and modellers to assist him in his endeavours. Remembered chiefly as a goldsmith rather than jeweler, Emile Froment-Meurice won a number of awards including a gold medal at the Paris World Exhibition in 1867 and the cross of the Legion of Honor in 1869. In 1900, he participated in the Paris World Exhibition and exhibited jewels in the current style as well as goldsmith's work, earning him the Grand Prix.