View full screen - View 1 of Lot 221. Felicity and Fortune.
221

Annibale Carracci

Felicity and Fortune

Estimate:

100,000

to
- 150,000 USD

Annibale Carracci

Annibale Carracci

Felicity and Fortune

Felicity and Fortune

Estimate:

100,000

to
- 150,000 USD

Lot sold:

113,400

USD

Annibale Carracci

Bologna 1560 - 1609 Rome

Felicity and Fortune


Pen and brown ink over traces of black chalk

182 by 168 mm; 7 1/4 by 6 5/8 in

Laid down on a sheet of paper and subsequently hinge mounted to a modern card backing. There is a small repaired tear to the lower right corner and two very small old tears to the upper right edge. There is evidence of some very minor surface dirt to the sheet and a small pink stain to the upper left quarter. The drawing remains in otherwise very good condition throughout, with the penwork strong and the ink fresh and vibrant. Sold unframed.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Jean Papillon (bears his initials in pen and ink, not in Lugt);
Private Collection, New York;
with Mia Weiner, New York,
where acquired, 1986
(Subsequently lent to Mia Weiner exhibition, Aspects of Antiquity in Renaissance and Baroque Italy, New York, January 1992, no. 2)

D. Bull, 'Emilian Paintings and Drawings,' The Burlington Magazine, 129 (July 1987), p. 483
Washington, The National Gallery of Art, The Drawings of Annibale Carracci, 1999-2000, pp. 268-270, cat. 86 (entry by Kate Ganz), reproduced p. 269, fig. 86