Fine Classical Chinese Paintings
Fine Classical Chinese Paintings
Properties from the Tsao Family Collection, lot 3062-3090 曹仲英先生「默齋」藏古代書畫,拍品編號3062-3090
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Auction Closed
April 19, 05:00 AM GMT
Estimate
45,000,000 - 55,000,000 HKD
Lot Details
Description
Properties from the Tsao Family Collection, lot 3062-3090
Hongren 1610 - 1664
Landscapes and Calligraphies
ink and colour on paper, album of nineteen leaves
Titleslip by Dashou (1791-1858), dated dingmo (1847), with one seal of his and one collector's seal of Yang Jizhen (1820-1901); another one by Yang Jizhen, dated bingchen (1856) and with one seal of his.
Frontispiece by Daoshou, dated the eighteenth year of Daoguang era (1838) and with one seal of his, also with one collector's seal of Yin Shubai (1769-1847) and three collector's seals of Yang Jizhen.
each calligraphy leaf bears two artist's seals and the leaf nine signed Hongren, with a dedication to
Lianru Jushi
each painting leaf bears one artist's seal, except the leaf four.
with one collector's seal of Daoshou, six collector's seals of Yin Shubai (1769-1847), one collector's seal of Zhao Zhichen (1781-1860), forty-two collector's seals of Yang Jizhen, nine collector's seals of
Huang Quchen (Yang's concubine), one collector's seal of Xu Yueyan (Yang's concubine) and twelve other collectors' seals
Colophons by Jin E (early 19th century), dated the sixteen year of Daoguang era (1836) and with four seals of his and with three collector's seals of Yang Jizhen; another one by Yang Jizhen, dated wuwu (1858) and with three seals of his.
18.7 by 13 cm. 7⅜ by 5⅛ in. (19)
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曹仲英先生「默齋」藏古代書畫,拍品編號3062-3090
弘仁1610-1664
書畫合璧冊
設色紙本 十九開冊
署簽:
(楊繼振) 弘仁和上灋書訨墨。丙辰(1856)仲夏月南屏書記寄贈,天藤漫仕題。鈐印:楊
(達受) 漸江和上書畫合壁。道光丁未(1847)五月朔余從都門南旋題此,六舟達受。鈐印:六舟
鑑藏印:(楊繼振)又雲所藏
題扉頁:
漸江老人書畫合璧。道光十八年(1838)三月朔日僑寓吴下滄浪亭之石枰精舍,手自裝池以消清畫。達受篆並志。鈐印:釋達受
鑑藏印:(殷樹柏) 樹柏
(楊繼振) 楊、友雲、壯夫不爲
釋文:
(一)
(畫)鈐印:漸江
(書) 釋文:步出山居外,猶聞栢子香。磬聲沉宿靄,人影度微陽。草木知秋老,江山引㝱長。安禪忘去住,高坐在梨床。鈐印:弘仁、漸江僧
(二)
(畫)鈐印:弘仁
(書)釋文:常惜忙未到,到來方悟閒。過江如隔世,入寺不知山。風氣薄詩骨,夕陽浮醉顏。古人誇一宿,三宿我才還。鈐印:弘仁、漸江僧
(三)
(畫)鈐印:弘仁
(書)釋文:禪心渾不動,僧臘靜偏長。留客何妨酒,看經還炷香。草簾通雨氣,水閣見天光。高坐揮如意,青山對石床。鈐印:弘仁、漸江僧
(四)
(書) 釋文:兩旬方一出,門外事紛拏。魚促春波淺,鳥爭林口斜。老夫傾竹葉,稚子捉楊花。小坐聊乘興,猶堪感物華。鈐印:弘仁、漸江僧
(五)
(畫)鈐印:漸江
(書) 釋文:銅缾倚玉樹,髹几獨看時。折柳多何惜,臨窗少不宜。斷根聊活計,勺水小恩私。省得溪橋外,追尋老步遲。鈐印:弘仁、漸江僧
(六)
(畫)鈐印:弘仁
(書) 釋文:兩樹琅开玉,詞林根抵深。弟兄君子德,風雨故人心。遺墨空陳跡,清歌發楚音。披圖百年後,感慨浹竦襟。鈐印:弘仁、漸江僧
(七)
(畫)鈐印:漸江
(書) 釋文:西林聊獨步,樹樹己棲鴉。童笈歸邨校,漁船聚酒家。玉痕雲映月,紅纈水明霞。此景偏留戀,衰年類日斜。鈐印:弘仁、漸江僧
(八)
(畫)鈐印:漸江
(書) 釋文:籠鶴復囊琹,移家向遠林。幽蘭成晚擷,叢桂愜秋唫。處世厭多擾,入山愁不深。東林有東老,詩酒慢追尋。鈐印:弘仁、漸江僧
(九)
(畫)鈐印:弘、仁(連珠印)
(書) 釋文:心遠物皆靜,何須擇地居。賃畦還種藥,過市每巾車。委巷藤梢亂,幽窓竹色虛。五禽多卻老,雙鬂未應疎。連茹居士以剡藤小册十番委畫,復屬書於左方。秋雨初霽,偶揭沈徵君詩爽豁隽永者,得十律,録以應覽。弘仁。鈐印:弘仁、漸江
(十)
(畫)鈐印:弘仁
鑑藏印:
(達受) 六舟所藏
(殷樹柏) 樹柏 (三鈐)、殷樹柏印 (二鈐)、曼卿
(趙之琛) 趙之琛印
(楊繼振) 繼振印、星鳳 (十鈐)、友雲 (二鈐)、繼振之印、星鳳堂、繼震 (三鈐)、蓮公、友雲收藏、石箏館、友雲長物 (二鈐)、雲叟、江南第一風流公子、友雲所藏 (四鈐)、猗歟友雲、玉几翁弟子、二泉山人 (三鈐)、連公、蓮尊者、友雲秘笈、辛卯 (二鈐) 、楊、繼振秘玩、宏農楊氏世家
(黄去塵)黄氏去塵 (九鈐)
(徐月嫣)月嫣妾徐所掌
予樵經眼 (二鈐)、黄晉、朱文簽押印 (六鈐,或為「無智」,待考)、水竹居曾賞、豪奪不廉打偷不智、吾心有魔吾眼有神
題跋:
(金萼)余行笈中有汪水蓮先生(惟憲)集見詠漸江上人畫,知其清風高蹈,有託於禪者。閲今近二百年筆墨,日益少而人品日益高。兹來新安偶與汪子坤(甫燡)談及古衲埋骨之所,始知即在西干咫尺,聞荒穢不治。當初萬斛清香,無复墓門有梅矣。亟於重陽日尋訪得之,在五明寺側之東峰,萬笏好山,一灣練水,向之所受松雲巖壑之奇者,歷劫猶存。爰告同志爲之修葺遺冢,擬補種一十二本梅花,以抒響慕之意。適吾杭六舟禪友於市肆間得書畫小册,業已零落散失,先後來歸。屬題,愛玩不釋,遂以一段因緣志之於後云。道光十六年(1836)九秋之望,仁和慙愧林後人金萼謹識。鈐印:金鄂之印、棠友、慙愧林後人、鷗汀
鑑藏印:(楊繼振) 又雲所藏、又雲、楊繼震印
(楊繼振) 漸江,俗姓江,名韜,字六奇,工畫山水,初學宋人,洎爲僧遂專摩倪黄,故於二家尤爲擅勝。此册雖已零失,然筆精墨妙,□□球琳,豈得以一時輒議連城。上人畫筆冷逸,於天游一派爲近,同時如石濤、石溪不免縱橫習氣,真彼中聖手也。時一開覽,心境胥恬,可砭庸熟之骨,六公惠我多矣。(丙辰(1856)夏,六公自海昌寄此,並宋本《曷冠子》,文湛持松鶴渌端研,皆銘心絶品。交誼如此,圖報何時,思之益愧。)邇來畫家崇尚濃密,不事清妍,遂使雲林一流皆成絶響。間有作者又复形骸土木,彌覺塵氣。得此則西方佛子又生震旦矣。
琴什隸畫有宗風,鶴瘦花零自不同。
儻與桑門論心印,大癡奇復曲全翁。(見《樊榭集》)
五明東畔欲斜曛,無复寒粲墓垣梅。
賸有南屏老書記,手拈斷墨一招魂。(梅字脱,此補)
戊午(1858)八月朔日新晴,天藤漫士楊繼振書後。鈐印:繼振、又雲、天藤漫仕
18.7 x 13 厘米, 7⅜x 5⅛英吋 (19)
Sotheby’s New York, Fine Chinese Paintings, 3 June 1986, lot 57
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別有天地─曹氏家族藏17世紀中國繪畫,洛杉磯郡立美術館,2016年8月7日至12月4日
1) Dashou, Baosushi Jinshi Shuhua Biannianlu (Chronicle of Painting, Calligraphy, Bronze and Stone in Baoshushi Collection), Vol. 2, p.6
2) Huang Binhong, "Life of Monk Hongren", see Huang Binhong Huayulu, Shanghai, 1961, pp.179-180
3) Wang Shiqing, Wang Congbian ed., "Landscape Album", see Jianjiang Ziliaoji (Research materials of Jianjiang), Heifei, 1984, pp.115-116
4) Catalogue of Chinese Paintings in Foreign Collections: American and Canada, Vol. 1, Tokyo, 1994, p. 123, no. A53-036
5) Toda, Teisuke and Ogawa, Hiromitsu, Comprehensive Illustrated Catalog of Chinese paintings: Second Series, Vol. 1, Tokyo, 1998, pp.1-252-1-253, pl. A53-036
6) Jung Ying Tsao, The Paintings of Xugu and Qi Baishi, Seattle and London, Far East Fine Arts Inc., in association with the University of Washington Press, 1993, p.73, fig.41
7) Stephen Little ed., 17th-Century Chinese Paintings from the Tsao Family Collection, Los Angeles County Museum of Art, 2016, pp,570-577, no. 116
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著錄
1) 達受,《寶素室金石書畫編年錄》,下冊,頁六,見《北京圖書館藏珍本年譜叢刊》,北京,1999,第144冊,頁421-422
2) 黃賓虹,《黃賓虹畫語錄》,〈僧漸江之高行〉,上海,1961,頁179-180
3) 汪世清、汪聰編,《漸江資料集(修訂本)》,〈山水冊〉,合肥,1984,頁115-116
4) 東京大學東洋文化研究所編,《海外所在中國繪畫目錄(改訂增補版):美國.加拿大》,第一冊,東京,1994,頁123,編號 A53-036
出版
1) 戶田禎祐、小川裕充編,《中國繪畫總合圖錄.續編》第一卷,東京,1998,頁1-252至1-253,圖版A53-036
2) 曹仲英著,《虛谷與齊白石的繪畫》,美國,遠東藝術出版社與華盛頓大學出版社共同出版,1993,頁73,圖版41
3) Stephen Little編,《曹氏家族藏17世紀中國繪畫》,洛杉磯郡立美術館,2016,頁570-577,編號116
Alternative Dreams: 17th-Century Chinese Paintings from the Tsao Family Collection, Los Angeles County Museum of Art, 7 August – 4 December, 2016
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別有天地─曹氏家族藏17世紀中國繪畫,洛杉磯郡立美術館,2016年8月7日至12月4日