View full screen - View 1 of Lot 6031. Gusti Agung Mangu Putra 古斯蒂·亞貢·曼古·普杜拉 | Sabang Sampai Merauke 從沙邦到默羅克.
6031

Gusti Agung Mangu Putra

Gusti Agung Mangu Putra 古斯蒂·亞貢·曼古·普杜拉 | Sabang Sampai Merauke 從沙邦到默羅克

Estimate:

120,000 - 220,000 HKD

Bridging Generations: Property from an Important Southeast Asian Private Museum, Part 2 | 跨世代:東南亞重要私人美術館珍藏, 第二章

Gusti Agung Mangu Putra

Gusti Agung Mangu Putra

Gusti Agung Mangu Putra 古斯蒂·亞貢·曼古·普杜拉 | Sabang Sampai Merauke 從沙邦到默羅克

Gusti Agung Mangu Putra 古斯蒂·亞貢·曼古·普杜拉 | Sabang Sampai Merauke 從沙邦到默羅克

Estimate:

120,000 - 220,000 HKD

Lot sold:

504,000

HKD

Bridging Generations: Property from an Important Southeast Asian Private Museum, Part 2

Gusti Agung Mangu Putra

b. 1963

Sabang Sampai Merauke



oil on canvas, in two parts

signed Mangu Putra and dated 2008 (lower right of part 2); signed, Mangu Putra, inscribed Oil | 140 x 200 cm x 2 panel, inscribed Panel 1, titled "Sabang Sampai Merauke" and dated 2008 on the reverse of part 1; signed, Mangu Putra, inscribed Oil | 140 x 200 cm x 2 panel, inscribed Panel 2, titled "Sabang Sampai Merauke" and dated 2008 on the reverse of part 2

executed in 2008

each: 140.5 by 200 cm; 55 ¼ by 78 ¾ in. (in two parts) 

overall: 140.5 by 400 cm; 55 ¼ by 157 ½ in.


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跨世代:東南亞重要私人美術館珍藏, 第二章

古斯蒂·亞貢·曼古·普杜拉

生於1963年

從沙邦到默羅克


油畫畫布,共两部分

款識

Mangu Putra 2008 (右下)

Panel 1 “Sabang Sampai Merauke" Oil 140 x 200 cm x 2 panel 2008 (背面)

Panel 2 “Sabang Sampai Merauke" Oil 140 x 200 cm x 2 panel 2008 (背面)

二〇〇八年作

各:140.5 x 200 cm; 55 ¼ x 78 ¾ in. (两部分)

整體:140.5 x 400 cm; 55 ¼ x 157 ½ in.

This work is in good overall condition as viewed. 

There is evidence of light wear and accretions along the edges and accretions where the canvas wraps over the stretcher bar. 

This work could benefit from light professional cleaning as there are some minor accretions scattered at the surface, including a possible media accretion at the bottom right. 

All other inconsistencies, such as horizontal abrasions at the bottom right of the left work, are likely due to the artist's working method and therefore inherent to the work itself. 

Examination under ultraviolet light reveals no sign of restoration as viewed. 

Unframed, on a stretcher (in two parts).

Important Southeast Asian Private Museum Collection


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東南亞重要私人美術館珍藏(直接購自藝術家)