European & British Art

European & British Art

View full screen - View 1 of Lot 23. Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background.

Federico Moja

Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background

Lot Closed

July 14, 01:23 PM GMT

Estimate

50,000 - 70,000 GBP

Lot Details

Description

Federico Moja

Italian

1802 - 1885

Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background


indistinctly signed and dated Moja 1848 lower right

oil on canvas

Unframed: 74.5 by 104.5cm., 29¼ by 41in.

Framed: 89 by 118.5cm., 35 by 46¾in.

After attending the Brera Academy, Federico Moja specialized in perspective painting under the guidance of Giovanni Migliara, from whom he acquired the ability to elevate the genre of urban views of everyday life into timeless architectural records. The striking cropping of the present composition and emphasis on perspective blend his learnings from his teacher with his own aesthetic characterised by the dramatic juxtaposition of light and colour.

Bernedetto Bermani writes 'The school created by Migliara has in Moja one of those followers who have the power to detach themselves from the cold imitation of the great masters, to create their own style, daring, fertile, rich in effects and originality and which reveals an industrious imagination, which, respecting the laws of art, knows how to find unexpected implications. I will not tell you that Moja is perfect in design, exact in reproducing the most minute peculiarities of a building and of a monument... What I admire most in Moja is the splendor of the effects that he knows how to draw from art, whose boundaries appear so limited. The dazzling richness in the play of light, the comic or elegant or profound inspirations that reveal themselves from his sketches, make him an artist apart, since he was able to find an abundant source of ideas...' (Bernedetto Bermani in Album, Esposizione di belle arti in Milano, 1842, p. 78).