Property from the Bar-Gera Collection
signed and titled in Cyrillic and dated 1972 on the reverse; further bearing various exhibition labels on the backing board and frame
collage on paper
Sheet: 52.5 by 43cm, 20½ by 17in.
Framed: 80 by 64.5cm, 31½ by 25¼in.
There are some minor creases, air bubbles and scratches to the collage elements, which are delaminating in the corners. There are minor handling marks and stains to the margins. The sheet is hinged to the mount in two places at the top edge. Framed and glazed.
Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
The present work is based on the portrait of Leo Tolstoy by Ivan Nikolaevich Kramskoy from 1873 (State Tretyakov Gallery). By deconstructing an iconic image of Tolstoy created by one of the founding members of the Peredvizhniki group, Bakhchanyan, in a manner typical for the non-conformists, playfully subverts two important tropes in official Soviet culture. One is the promotion of the socially-conscious Peredvizhniki as the most important pre-revolutionary art historical movement, with Socialist Realism seen as its ideological successor. The other is the appropriation of works by pre-revolutionary Russian writers, as well as of their biographies, as part of the wider apparatus of Soviet indoctrination.