View full screen - View 1 of Lot 33. 12-panel screens model FSW, circa 1950 .
33

Charles et Ray Eames

12-panel screens model FSW, circa 1950

Estimate:

3,000 - 5,000 EUR

Property from a Private Collection

Charles et Ray Eames

Charles et Ray Eames

12-panel screens model FSW, circa 1950

12-panel screens model FSW, circa 1950

Estimate:

3,000 - 5,000 EUR

Charles et Ray Eames


12-panel screens model FSW, circa 1950


lacquered plywood and canvas


Herman Miller edition


116 x 300 x 8 cm ; 46 5/8 x 118 1/8 x 3 1/8 in.

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Charles et Ray Eames


Paravent à 12 panneaux FSW, vers 1950


contreplaqué laqué et toile


Édition Herman Miller


116 x 300 x 8 cm ; 46 5/8 x 118 1/8 x 3 1/8 in.

Good overall condition . There are surface scratches and tiny dents throughout. Several cracks on the edges of the plywood which do not affect the overall structure of the screen. The painted wood with scattered minor scuffs, surface scratches (the longest of about 15 cm long), and general signs of wear throughout, but largely concentrated to the lower half of the screen, some revealing the wood beneath. The top edge of one panel with a small loss to outer corner, and a small loss of plywood on the inside corner. This panel with white scuff marks to the outer side edge. All consistent with normal age and use


Please note: Condition XVI of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. (Veuillez noter que l'Article XVI des Conditions Générales de Vente applicables aux Vendeurs (Ventes Effectuées Exclusivement en Ligne) n'est pas applicable pour ce lot.)


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Galerie Downtown, Paris
Acquired from the above by the actual owner in 2002

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Galerie Downtown, Paris
Acquis de la précédente par l'actuel propriétaire en 2002

For related examples:
Yvonne Brunhammer and Guillemette Delaporte, Les styles des années 30 à 50, Paris, 1987, p. 119, no. 3
John and Marilyn Neuhart, Eames design, The Work of the Office of Charles and Ray Eames, London, 1989, pp. 79 and 82
Marie-Laure Jousset and Katarina V. Posch, Alexander von Vegesack, Portrait d'une collection, Paris, 1993, cover and p. 58
Donald Albrecht, et al., The work of Charles and Ray Eames, A legacy of invention, New York, 1997, p. 26

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Pour des modèles comparables:
Yvonne Brunhammer et Guillemette Delaporte, Les styles des années 30 à 50, Paris, 1987, p. 119, no. 3
John et Marilyn Neuhart, Eames design, The Work of the Office of Charles and Ray Eames, Londres, 1989, pp. 79 et 82
Marie-Laure Jousset et Katarina V. Posch, Alexander von Vegesack, Portrait d'une collection, Paris, 1993, couverture et p. 58
Donald Albrecht, et al., The work of Charles and Ray Eames, A legacy of invention, New York, 1997, p. 26