Property from the Collection of Hester Diamond
1939 - 2018
signed and dated '71; signed, dated spring '71 and inscribed Harold, Thanks A Million! on the reverse
pastel and colored pencil on paper
10 by 13 in. (25.4 by 33 cm.)
This work is in very good condition overall. The upper and right edges of the sheet are deckled. There is minor discoloration to the sheet, consistent with the age of the work. There is minor lifting with a small indentation to the upper edge of the sheet, visible upon close inspection. Unframed.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
“When Jack Whitten was a ‘starving artist’, just after he moved to NYC, my mom was just starting out as a decorator. One of her first ‘jobs’ was renovating our apartment on Central Park West, which was a total mess when we first rented it. She was totally disappointed in the quality she found from various ‘professional’ carpenters, but discovered that New York was full of young artists, some of whom she knew, who were pretty good carpenters – so she hired about 5 of them to do all of the carpentry in the apartment. This group included Jack. While most of these folks worked in their studios, and would periodically bring over finished pieces, Jack somehow became the expert in building radiator covers – basically, wooden boxes with gridded metal inserts that Mom liked to use to hide the cast iron radiators which heated the apartment. And each of these radiators was a slightly different size, so for many months, Jack was a presence in the apartment – building radiator covers. And he was just a great person – we all became friendly with each other – even me, though I was only about 10 at the time. After the apartment was done, Jack worked on a bunch of additional projects for my Mom, and they always stayed in touch. A few years later, when Jack was really breaking through, he had a show at one gallery or another and invited Mom to the opening. She went, and they had a nice reunion, and Jack gave her the drawing.”