Sculpture: 35½ by 26 by 36 in. (90.2 by 66 by 91.4 cm.)
Base: 35 by 24 by 24 in. (88.9 by 61 by 61 cm.)
Executed in 2000, this work is from an edition of 3 plus 2 artist's proofs.
This work is in very good and sound condition overall. All elements are present and stable. There are textural variations across the surface of the work, inherent to the artist's working method and chosen media. There are scattered surface accretions throughout, visible upon close inspection. There is minor handling wear on the figure's legs, visible upon close inspection. Please note this work is accompanied by a base.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Mary Boone Gallery, New York
Acquired from the above by the present owner circa 2004
Robert Preece, "Just a Load of Shock? An Interview with Marc Quinn," Sculpture (Washington D.C.), vol. 19, no. 8, October 2000, p. 19, illustrated (another example illustrated)
Rome, Museo d'Arte Contemporanea, Marc Quinn (MACRO), June - September 2006 (another example exhibited)
New York, Mary Boone Gallery, The Complete Marbles, January - February 2004 (another example exhibited)
London, Victoria & Albert Museum, Give and Take, January - April 2001 (another example exhibited)
Milan, Fondazione Prada, Marc Quinn, May - June 2000, pp. 200-209, illustrated (another example exhibited)
“I was in the British Museum looking at people admiring the fragmented marble statuary, when it struck me that if someone whose body was in the same shape as the sculptures were to come into the room, most of the admirers would have the opposite reaction. It was interesting to me to see what is acceptable in art, but unacceptable in life. As I made the series of works, I realised that they were also about what a beautiful body is, and how narrow our vision of that is, and about the connection between inside and outside. By that I actually mean disconnection, for when one of the models for these pieces closes their eyes, they feel the same inside as you or I, yet often physically disabled people are treated as if they are mentally disabled. Although the models’ bodies are visually comparable to the antique fragmented marble statues, of course my sculptures are portraits of whole people and not fragments of people. That was interesting to me, too."
- Marc Quinn, Recent Sculptures Catalogue, Groninger Museum, 2006