signed and dated 1997 on the interior wall mount-facing side
25 by 14 by 24 in. (63.5 by 35.5 by 60.9 cm.)
This work is in good and sound condition overall. All elements are present and stable. There are tonal and textural variations to the surface of the sculpture, inherent to the artist's working method and chosen media. There is a repaired corner to the frontal beam, visible upon very close inspection. There is faint surface dust present most notably in the crevices and visible upon close inspection. There is a very minor loss at extreme corner on the underside of frontal beam, visible upon close inspection.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Private Collection, Pennsylvania
“Depending upon the viewer's movement, Shapiro's sculpture shifts from the abstract to the figurative, from hyperkinetic flight to collapse, from purely formal to deeply emotional—like a kaleidoscope whose pieces promise, but finally refuse, to settle into resolution."
- Klaus Kertess, Joel Shapiro New Wood and Bronze Sculpture, Pace Gallery (exhibition catalogue), New York 1998, p. 6