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Max Beckmann
Grosser Steinbruch in Oberbayern (Large Quarry in Upper Bavaria)
Max Beckmann
Max Beckmann
Grosser Steinbruch in Oberbayern (Large Quarry in Upper Bavaria)
Grosser Steinbruch in Oberbayern (Large Quarry in Upper Bavaria)
Max Beckmann
1884 - 1950
Grosser Steinbruch in Oberbayern (Large Quarry in Upper Bavaria)
signed and dated upper left: Beckmann / O.34
oil on canvas
canvas: 34 1/8 by 46 3/4 in. 86.7 by 118.7 cm
framed: 47 1/4 by 59 1/2 in. 120 by 151 cm
Painted in Ohlstadt in 1934.
Alfred Eisenlohr, Munich, 1941;
Thence by descent to Marie Louise Eisenlohr, Munich, 1952;
From whom acquired by Walter Feilchenfeldt, Zurich, 1971;
From whom acquired by Franz Resch, Gauting, 1973;
From whom acquired by Richard L. Feigen, New York, 2001.
Thence by descent to Marie Louise Eisenlohr, Munich, 1952;
From whom acquired by Walter Feilchenfeldt, Zurich, 1971;
From whom acquired by Franz Resch, Gauting, 1973;
From whom acquired by Richard L. Feigen, New York, 2001.
H. Klinkel in Stuttgart Zeitung, Stuttgart, 26 June 1958, n.p.;
E. and B. Göpel, eds., Max Beckmann, Katalog der Gemälde, Bern 1976, vol. I, cat. no. 392, pp. 265-266; vol. II, cat. no. 392, reproduced plate 131;
Max Beckmann, Abseits der Großstadt- oberbayerische Landschaft, exhibition catalogue, Schlossmuseum, Murnau 1998, reproduced p. 56;
Industrie und Natur: Zur Geschichte des Hartsteinwerkes Werdenfels im Murnauer Moos, exhibition catalogue, Schlossmuseum, Murnau 2000, reproduce in color pp. 9-10 and in detail on the front and back cover;
Ich kann wirklich ganz gut male: Friedrich August von Kaulbach - Max Beckmann, exhibition catalogue, Schlossmuseum Murnau, 2002;
R. Smith, "Max Beckmann," in The New York Times, 6 June 2018, p. C16;
A. Tiedemann, ed., Max Beckmann Catalogue Raisonné der Gemälde, https://beckmann-gemaelde.org/392-grosser-steinbruch-oberbayern (accessed on August 20, 2021).
E. and B. Göpel, eds., Max Beckmann, Katalog der Gemälde, Bern 1976, vol. I, cat. no. 392, pp. 265-266; vol. II, cat. no. 392, reproduced plate 131;
Max Beckmann, Abseits der Großstadt- oberbayerische Landschaft, exhibition catalogue, Schlossmuseum, Murnau 1998, reproduced p. 56;
Industrie und Natur: Zur Geschichte des Hartsteinwerkes Werdenfels im Murnauer Moos, exhibition catalogue, Schlossmuseum, Murnau 2000, reproduce in color pp. 9-10 and in detail on the front and back cover;
Ich kann wirklich ganz gut male: Friedrich August von Kaulbach - Max Beckmann, exhibition catalogue, Schlossmuseum Murnau, 2002;
R. Smith, "Max Beckmann," in The New York Times, 6 June 2018, p. C16;
A. Tiedemann, ed., Max Beckmann Catalogue Raisonné der Gemälde, https://beckmann-gemaelde.org/392-grosser-steinbruch-oberbayern (accessed on August 20, 2021).
Bern, Kunsthalle Bern, Max Beckmann, Marguerite Frey-Surbek, Martin Christ, Fernand Riard, 1938, no. 19 (as titled Steinbruch in Bayern);
Pforzheim, Kunst und Kunstgewerbeverein Pforzheim, Max Beckmann Ausstellung, 1954, no. 24;
Karlsruhe, Staatliche Kunsthalle (on loan from 1956-1971);
Tübingen, Tübingen Kunstverein, Max Beckmann. Landschaften und Graphik, 1958, no. 4;
Hamburg, Hamburger Kunsthalle; Bielefeld, Kunsthalle Bielefeld; Vienna, Kunstforum Wien, Max Beckmann: Landschaft als Fremde, 1998-1999, no. 34;
Paris, Centre Georges Pompidou; London, Tate Modern; New York, Museum of Modern Art, Max Beckmann, 2002-2003, no. 96;
New York, Richard L. Feigen & Co., Max Beckmann from Private Collections, 2018.
Pforzheim, Kunst und Kunstgewerbeverein Pforzheim, Max Beckmann Ausstellung, 1954, no. 24;
Karlsruhe, Staatliche Kunsthalle (on loan from 1956-1971);
Tübingen, Tübingen Kunstverein, Max Beckmann. Landschaften und Graphik, 1958, no. 4;
Hamburg, Hamburger Kunsthalle; Bielefeld, Kunsthalle Bielefeld; Vienna, Kunstforum Wien, Max Beckmann: Landschaft als Fremde, 1998-1999, no. 34;
Paris, Centre Georges Pompidou; London, Tate Modern; New York, Museum of Modern Art, Max Beckmann, 2002-2003, no. 96;
New York, Richard L. Feigen & Co., Max Beckmann from Private Collections, 2018.