View full screen - View 1 of Lot 34. A Flemish Classical Tapestry, Oudenaarde, second half 16th century.
34

A Flemish Classical Tapestry, Oudenaarde, second half 16th century

UK: Greenford Park Warehouse

Estimate:

8,000

to
- 12,000 GBP

A Flemish Classical Tapestry, Oudenaarde, second half 16th century

A Flemish Classical Tapestry, Oudenaarde, second half 16th century

Estimate:

8,000

to
- 12,000 GBP

Lot sold:

12,600

GBP

A Flemish Classical Tapestry, Oudenaarde,

second half 16th century


woven with a Roman encampment in a landscape river setting, the soldiers carrying wooden chests and baskets of food, the foreground with standing armoured figures in the foreground carrying batons, within a four-sided exuberant fruiting and foliate border, with further inner and outer narrow borders with now indistinct geometric motif design

approximately 336cm high, 506cm wide

In good overall professionally restored condition. Good colour and compositional balance. Very decorative border. The bottom border has been slightly folded (and sown) - this can easily be undone. Striking tapestry.

Dimensions with borders unfolded : 336 cm high, 506 cm wide

Dimensions with borders folded: 303 cm high, 506 cm wide


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Please note the dimensions of this tapestry are approximatively 336cm high, 506cm wide.

The quality of weave and compositional detailing and border type are typical of Oudenaarde weavings of the second half of the 16th century. For an Oudenaarde weaving, circa 1550-1560, which could depict the biblical subject of Elijah and the women of Shunem (II Kings), with camels and caskets ready for departure and within the fruiting border type and the same fineness of weaving detail, with the weaver’s mark (Vienna, Kunsthistorisches Museum, Kunstkammer, Inv. T LXXXVII3), see Ingrid de Meuter and Martine Vanwelden, Tapisseries d’Audenarde du XVIe au XVIIIe siecle, 1999, p.161. For comparable quality classical compositions, albeit in elaborated border types, see weaving from The Story of Alexander, Oudenaarde, circa 1880-1600, with small figures and animals in the background of detailed landscapes, and groups of Roman soldiers in the foreground, see Ingrid de Meuter and Martine Vanwelden, op.cit, pp.170-176.


For further discussion on Oudenaarde weavings of Biblical, mythological and classical subjects, some within the same distinctive exuberant fruiting border, see ibid, pp.147-176. Considering the attire of the figures depicted in the present composition it is probably from a Classical series rather than being a Biblical reference. 


For discussion of Oudenaarde tapestries, which depict a variety of biblical and classical subjects, and were originally woven with town marks in the selvedges, post 1545, known for the predominance of green, blue and brown in their colour range and with a high reputation for their depiction of distinctive ‘green work’ including the border types, see Guy Delmarcel, Flemish Tapestries, 1999, pp.188-194.